Introducing Montreal trio Planet Giza, who drop slick new single ‘When The Moving Stops’

Introducing Montreal trio Planet Giza, who drop slick new single ‘When The Moving Stops’

Introducing Montreal trio Planet Giza, LISTEN to new single ‘When The Moving Stops’


 

Meet emerging Montreal hip-hop outfit Planet Giza, who today kick-off 2021 with new single ‘When The Moving Stops‘.

 

 

 

Co-produced with JMF, the track pairs punchy, bass-heavy production with slick, commanding vocals from the trio’s very own Tony Stone. ‘When The Moving Stops‘ is a smooth dose of classic hip-hop and is the lead single from their forthcoming EP release Don’t Throw Rocks At The Moon.

 

“This song represents doing things differently and still shining through it all (hence the sun reference),” the trio explains. “When all odds are against you that’s when it’s time to excel.”

 

The accompanying official video sees Planet Giza cruising around their hometown, with video director Guillaume Landry explaining that the video’s narrative “symbolises the opening of a new chapter for the group, in terms of both sound and visual representation.”

 

 

 

 

Comprising members Rami BTony Stone, and DoomX, Planet Giza is the genre-bending crew who reflect their multicultural background through a repertoire of diverse sounds. They attribute this versatility to the diverse community of Montreal, as well as their widely-varying musical influences.

 

Planet Giza launched their own radio show ‘Mellow Mellow Radio‘ in late 2020, with longtime collaborator KAYTRANADA making an interview appearance on the first episode. They also dropped their debut album Added Sugar in 2019, an acclaimed LP described by Hot New Hip Hop as “a timeless sound that you can listen to over and over.”

 

Their relationship with KAYTRANADA stems back to 2017 when they collaborated on ‘Domina‘ taken from their debut EP Zayad City, which led to KAYTRANADA contributing to their full-length 2019 project Added Sugar. Since the release of Added SugarPlanet Giza has performed at Montreal’s Jazz Festival, collaborated with Mick Jenkins while also producing GoldLink’s ‘Ridd‘, which he performed on The Tonight Show Starring Jimmy Fallon.

 

When The Moving Stops‘ is demonstrative of a hip-hop outfit at the top of their game.

When The Moving Stops is out nowbuy/stream it here.


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Rising star Finn Askew releases his impressive debut EP Peach; shares ‘Egotism’ visual

Rising star Finn Askew releases his impressive debut EP Peach; shares ‘Egotism’ visual

Rising star Finn Askew releases his impressive debut EP Peach; shares ‘Egotism’ visual


One of the UK’s most exciting breaking artists Finn Askew shares his highly anticipated debut EP Peach alongside the visual for ‘Egotism‘.

 

 

 

 

Following his successful 2020 string of singles including ​’Same Old Love​‘, ​’Peach‘ and the undeniable ​’Roses‘​ – his debut single which shot him out of the gate and now sits on an incredible ​9.2 million views​ – Finn has not only been growing in the UK but after ​Taeyong from notorious KPOP group, NCT shared ‘Roses‘​​, saw him trend in Korea and pick up a dedicated following there that has propelled him globally and seen him establish himself on several Korean digital music charts. Creating undeniable earworms that transcend location and language and showcasing his versatile approach to pop music, ​Peach​ the EP does not disappoint in delivering an impressive debut with a song for everybody.

 

Tipped as a ​One To Watch for 2021​ by ​The Line of Best Fit​, the young Somerset artist’s, eclectic and varied range juxtaposes even the most melancholy lyrics with upbeat, heartwarming synths, guitar melodies, and enthusiasm, stretching way beyond Finn’s 19 years. Speaking on the ethos behind the EP, Finn remarks ​”I wanted to create something that showed how creative I really am. I’m a kid from a small countryside town where there is no music scene at all but I’ve had so many musical influences, which has created my mad diverse music taste.”

 

With such oxymoronic content across the EP and with the chance to really show what he is about, Finn’s process has been freeing and has seen him – much like his career so far – carving his own path. Not only reveling in his strength to convey accomplished songwriting but to also show the mature vulnerability of an artist with years of graft under his belt.

 

Speaking on his creative process ​“It’s been sick having no one to tell me what direction to take, I’ve just been left to my own devices and I’m beyond thankful for that, it’s why my sound is so real. I wanted this EP to really capture me as an artist and what I can do. I can’t be put into one genre and that’s the beauty of it.” ​Says Finn.

 

Enveloping articulately the teenage angst of love, Finn continues to show his varied style, sound, and range which has impressed the likes of ​COLORSClashLine of Best Fit, and Have You Heard and also has led to Finn being announced as a ​2021 VEVO DSCVR One To Watch​ artist!

 

With his influences ranging from ​Nirvana​ and ​The Smiths​ to ​Frank Ocean ​and ​Travis Scott​, Finn is a serendipitous amalgamation of creativity and talent. Naturally gifted and constantly absorbing elements from multiple sources, it was being born in a sleepy Somerset town that led him to big musical ambitions with a humble nature.

 

Crate digging through his Dad’s vinyl, Finn appreciated his upbringing but also knew he had bigger ambitions that would outgrow his location. Experimenting with the sounds he absorbed and instruments he picked up, he cast aside formal lessons to intuitively jam on the guitar and began writing songs while still in school.

 

Finn Askew encompasses the hard work, self-awareness, and drive of the DIY generation, who control TikTok trends, fight for social justice, and a deep longing but easy execution of equality amongst their peers, no matter gender, race, or sexuality. These characteristics blend with a deep soul embedded in his music that feels wiser beyond his years.

 

Finn Askew continues to impress and his Peach EP solidifies himself as one of the most exciting UK prospects this year.

 

 

 

 

Peach EP is out now via Polydor Records,
buy/stream it here.

 


 

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Brisbane’s LÂLKA shares new single ‘Atomic Blonde’

Brisbane’s LÂLKA shares new single ‘Atomic Blonde’

Brisbane’s LÂLKA shares new single

Atomic Blonde’


LÂLKA, Meanjin/Brisbane multi-hyphenate producer, shares the first of new music for 2021, ‘Atomic Blonde‘.

 

 

 

Driven by the phrase “I like the way music looks / I like the way fashion sounds,” synths bounce along a bubbly house beat before twisting into a rumbling, pitched up bassline. Produced collaboratively with Sydney electronic producer BRUX, ‘Atomic Blonde‘ illustrates LÂLKA‘s commitment to evolving her sound and creative energy, influenced by her trailblazing inspirations. From a chance decision to colour her hair, LÂLKA presents reinvigoration through song form on ‘Atomic Blonde’, and more broadly, striving to reclaim her identity as a woman of colour. 

Of the release LÂLKA shares “I appropriated this phrase from Malcolm McLaren (manager of the Sex Pistols, collaborator & ex-partner of Vivienne Westwood). It succinctly describes the reasons why I’m obsessed with both music and fashion. Pulling together phrases associated with my two biggest interests, this track is probably the most fun I have ever had lyrically.”

 

LÂLKA’s brazen take on pop experimentalism has been called many things: “the future” by Tone Deaf“attitude-filled organised chaos” by Stoney Road“too cool for this world” by Fashion Journal and many more. Since first emerging with her debut ‘Dare You To Love Me‘, LÂLKA has steadily worked and built her portfolio to include supporting Charli XCXAlice IvyGenesis OwusuMiss Blanks and more alongside appearances at BIGSOUNDLaneway and FOMO festivals in recent years.

 

Her contortion of glitchy hyperpop through the lens of her own experiences is palatial and ferocious with plenty of tongue-in-cheek energy. Her dynamism comes to life through dance, real-time sample triggering and live instrumentation as a classically trained musician. Stay tuned as LÂLKA promises more in 2021.

 

Atomic Blonde‘ is out now, buy/stream it here.


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TIARNIE RELEASES ‘SORRY (TOO MUCH)’ THE SECOND SINGLE FROM HER UNTITLED SOPHOMORE EP

TIARNIE RELEASES ‘SORRY (TOO MUCH)’ THE SECOND SINGLE FROM HER UNTITLED SOPHOMORE EP

TIARNIE RELEASES ‘SORRY (TOO MUCH)
THE SECOND SINGLE FROM HER UNTITLED SOPHOMORE EP


Emerging singer-songwriter – Tiarnie – presents the apologetic and vulnerable second single from her untitled sophomore EP; ‘Sorry (Too Much)’.

 

Too exhausted to sleep after a “hectic weekend of late nights and gigs”, Tiarnie pulled herself out of a dark place the best way she knows how – by grabbing her guitar and cathartically improvising lyrics. Having been “constantly surrounded by friends and excitement” throughout the weekend, Tiarnie was “now alone in [her] room feeling lonely and homesick”.

 

Putting her phone on airplane mode to “stop [herself] contacting friends and family scattered across [her] hometown of Canberra and the South Coast”, Tiarnie began “singing everything that [she] would’ve texted to [her] best friend”.

 

“I stayed up for hours playing the same guitar riff and singing jumbled nonsense to my bedroom ceiling, until I passed out with my guitar in my bed.” She recorded a 7 minute improv voice memo moments before crashing, saved in her phone as ‘Why Am I Still Awake? (Sunday Night Sadness)’.

 

“There’s a phenomenon my family and best friends refer to as the ‘Sunday Night Sadies’ – which is when I often call them on a Sunday night crying and complaining that they are so far away and I feel isolated in Sydney.” The song was written as somewhat of an “apology letter to everyone in my life for being a liability and causing them to worry about me.’

 

From there, Tiarnie demo’d the song with her friend Robbie Macpherson at his home studio in Glenorie. “It was stupid o’clock at night and we were about to call it a day when I played ‘Sorry (Too Much)’ on my unplugged tele. We were both hungover and deliriously tired, but this song sparked a whole new wave of inspiration.

 

 

Time seemed infinite as Robbie added in drums and bass to build the emotional intensity and mould the track from a vulnerable acoustic song to an anthemic track – without lacking heart or lessening the sentiment.”

 

Tiarnie eventually recorded the song – as it is now – at the Grove Studios with her band: Stirling Jayasuriya on lead guitar, Tahlia McLennan on bass, and Logan Ritchie on drums. It was produced by Jackson Barclay (Maddy Jane, Vera Blue)

 

 

After a first full-band take of the song at the Grove, Jackson declared the song a “worldwide smash” and suggested that Tiarnie increase the tempo of the track, which “lifted the energy and made it more punchy”.

 

On the last night at The Grove, Tiarnie and her team had a listening party in the studio. “The song made myself and my band incredibly emotional. ‘Sorry (Too Much)’ was no longer a dark moment encapsulated in time of a Sunday night breakdown in my bedroom, but a beautiful memory of me reaching out to the world and my team embracing me with open arms”.

 

In essence – “it became a song for anyone who has ever thought that they are ‘too much’ or felt like a liability- your feelings are completely valid, and you are not alone”.

 

‘Sorry (Too Much)’ was produced by Jackson Barclay, who recently produced Maddy Jane’s Triple J Feature Album of the Week, ‘Not All Bad or Good’. Jackson has otherwise previously engineered and mixed for Vera Blue, and co-written for Tia Gostelow. ‘Don’t Ask Me’ was mastered by Trent Dobson (Maddy Jane, Vera Blue).

 

This follows the success of Tiarnie’s first EP, ‘Consistently Inconsistent’, which has received 70,000+ streams since it’s release in early 2020. This release marked a number of milestones for Tiarnie – receiving Spotify editorial support, career first Triple J plays alongside radio support from FBi, SYN, Radio Adelaide and ABC National Radio.

 

To celebrate the release of the EP, she played a sold-out headline tour of Sydney, Canberra and Wollongong, a feat she replicated for her last single. Tiarnie has since received continued Spotify editorial support for her last single, ‘Don’t Ask Me’, with placement in ‘New Music Friday’ and ‘Local Noise’.

 


 

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PANTEON RELEASES NEW SINGLE “WAKING WAITING”

PANTEON RELEASES NEW SINGLE “WAKING WAITING”

PANTEON RELEASES NEW SINGLE

WAKING WAITING


Berlin based singer-songwriter Yvonne Ambrée writes, records and produces all of her music under her moniker Panteon. Dropping her self-produced single “Seven” last year, the artist is back with her first release of 2021 in the form of “Waking Waiting” – a beautiful analysis of romantic turmoil.

 

Full of soft piano melodies and rhythmic guitars, Panteon allows herself to feel all the pain and heartbreak of a former relationship – the accompanying visualiser laying these fleeting moments out as scrapbook memories.

Articulating heartache and grief with refreshing candour, her voice soars over the shimmering soundscape – settling into her new reality.

 

“‘Waking Waiting’ deals with the result of a miscommunication between two former lovers”, Panteon offers.
“The days and weeks after a break up sometimes feel like a blurry vision (and version) of time and how it evolves. Some days it even feels like ‘time’ just stopped and you’re waiting for it to start again. Waiting to feel something again.

 

 

You are waking up and waiting for the world to turn – to start making sense again. I wanted to create an almost meditative guitar pattern to dive into the emotion of dullness that one encounters when being heartbroken and settling into the new reality after all the anger, sadness and anxiety have vanished.”

 

An accomplished vocalist, songwriter and musician, Yvonne began her musical journey as Panteon in 2018 with her debut EP Travel Log 1. Writing, recording and producing all her music herself, she has rapidly showcased herself as a multi-talented artist, creating a sincere and relatable experience for the listener to lose themselves in.

 

With support from Wonderland, Atwood Magazine and PopMatters, “Waking Waiting” is further indication of
Panteon’s expert musical ability.

 

Waking Waiting” is OUT NOW with her album Open Fire dropping April 2021.


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VNSSA DEBUTS ON NOIZU’S TECHNE LABEL WITH ACID WEAPON ‘CUZ OF THE BEAT’

VNSSA DEBUTS ON NOIZU’S TECHNE LABEL WITH  ACID WEAPON ‘CUZ OF THE BEAT’

VNSSA DEBUTS ON NOIZU’S TECHNE LABEL WITH

ACID WEAPON ‘CUZ OF THE BEAT


 

Following releases last year on Dirtybird, Trippy Ass Technologies and Box Of Cats, VNSSA continues her rise into 2021 with new single Cuz Of The Beat,marking her debut on Noizu’s tastemaker Techne label.

 

Since exploding on the scene back in 2018 with a debut release on House Of Hustle, VNSSA has continued to cement her name among peers with head turning releases on the likes of REALM, Hole Molé, Insomniac, Higher Ground, Sweat It Out and many more.

 

An in demand talent for collabs too, VNSSA scored her first Beatport no.1 with Word alongside Walker & Royce via Black Book Records / HotBoi. Equally in demand for performances across the globe, the hurdles of the pandemic have
seen VNSSA adapt, with her own Twitch channel Good TV alongside Justin Martin, Christian Martin, Walker & Royce and Ardalan, providing a source for creativity with production tutorials and sets.

 

Buy/Stream ‘Cuz Of The Beat’ here

With her first release of 2021 already seeing downloads from big names like Chris Lake, Roger Sanchez, Calvin Harris, Riva Starr, SIDEPIECE, Martin Ikin, Claude VonStroke, Green Velvet and more, this Techne debut sets VNSSA up for an incredible year ahead. With acid stabs and bleeps taking centre stage, VNSSA’s Cuz Of The Beat weaves grooving vocals and punchy drums, making for a hypnotic house pumper that leaves a taste for the dancefloor.

 

VNSSA – Cuz Of The Beat is out now via Techne.

 


 

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Award winning artist Sydnee Carter releases new song”Drug Was You”

Award winning artist Sydnee Carter releases new song”Drug Was You”

Award winning artist Sydnee Carter releases new song “Drug Was You”


Detailing the difficulties of a toxic relationship with refreshing candour, award winning Australian artist Sydnee Carter drops her infectious new single “Drug Was You” – an irresistible slice of contemporary pop.

 

 

 

 

Experimenting with smoother, downtempo rhythms, the ethereal soundscape allows Carter to showcase her astute vocal prowess – acting as the tracks’ driving force. “Drug Was You” is a reflective piece from the young artist, analysing how looking in on something from the outside does not necessarily give a true representation of someone’s life behind closed doors.

 

“‘Drug Was You’ was written about the woes of a young toxic relationship that ended years prior, and explores the idea that even though it may have been toxic on the outside, there were so many things about the relationship that were addictive and a constant source of adrenaline”, Sydnee explains.

 

“Being so infatuated with the idea of wanting that prior connection, despite the new loving and respectful relationship that has been found with someone else. That feeling of they will always be a drug to each other, is always lingering”.

 

“I wanted to write a song about longing for a lifetime past, after the love that is supposedly gone. Instead of drawing to a close, the hurt keeps brewing into a driving infatuation, culminating into an emotional cataclysm and realisation. My drug was always you.

 

With an ever growing maturity, Carter writes music with an emotional intelligence beyond her years. Completely self taught and having spent years honing her craft, there is a dedication that shines through in every artistic creation. Sydnee is now expanding her repertoire to showcase her sweet, soulful voice and fill every release with personal life experiences and intimacies. The futures looking bright for the Australian pop star!!


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THE ASTON SHUFFLE PUSH THE TEMPO WITH THEIR REMIX OF TORREN FOOT’S ‘MORE LIFE’

THE ASTON SHUFFLE PUSH THE TEMPO WITH THEIR REMIX OF TORREN FOOT’S ‘MORE LIFE’

THE ASTON SHUFFLE PUSH THE TEMPO WITH THEIR REMIX OF TORREN FOOT’S

MORE LIFE


 

The Aston Shuffle takes Torren Foot’s ‘More Life (feat. Tinie Tempah & L Devine)’ for a bassline-driven house spin with their remix of one of the biggest tracks of 2020. Taking an already head-banging tune and turning it up a notch, the Australian electronic duo utilise the hip-hop vocal stylings on Tinie and push the tempo with powerful synths while amplifying the funky sax elements.

 

 

 

Vance Musgrove and Mikah Freeman, the duo from Canberra, Australia that make up The Aston Shuffle have been mainstays in the Australian electronic scene for over a decade. With over 100 million streams across platforms, the duo has been entrusted to remix tracks by the likes of LSD (Labrinth, Sia, Diplo), Tensnake, Chris Lake, Claude VonStroke, Dizzee Rascal, Dom Dolla, Green Velvet, PNAU, The Presets, and Sneaky Sound System, among others. The duo has shone a bright light on the Australian electronic scene on their weekly radio show on triple j the Friday Night Shuffle, and as such the respect they have garnered from the scene not just in Australia, but over the world makes them the perfect choice to push the boundaries even further on ‘More Life’.

 

 

‘More Life (feat. Tinie Tempah & L Devine) (The Aston Shuffle Remix)’ is out now via Sweat It Out.


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BRIGITTE BARDINI ANNOUNCES NEW SINGLE AND VIDEO WILD RIDE

BRIGITTE BARDINI ANNOUNCES NEW SINGLE AND VIDEO WILD RIDE

 

BRIGITTE BARDINI ANNOUNCES NEW SINGLE AND VIDEO

WILD RIDE


Upcoming singer-songwriter Brigitte Bardini has today announced her glowing new single Wild Ride, a celebration of the leap of faith that is deciding to pursue a full time career in music, out today, January 22.  Wild Ride is accompanied by a stunning video clip directed by Wilk (Sarah Blasko, Ella Hooper, Gotye) and is a perfect reflection of Brigitte’s developing artistic practice and her commitment to music.

 

Written and recorded in her home studio with some guitar laid down by Dave Butt at Highpoint Studio, and polished, mixed and mastered at Toyland Studios with Adam Calaitzis, Wild Ride is evocative of the songwriting styles of Gretta Ray and Stella Donnelly, but with just enough unique spin and experience within to make the track something very special. It begins with just guitar and bass, and grows steadily into a lush, ever-present blanket of sound that Brigitte’s soft, vulnerable voice sits comfortably atop of.   Strings sweep as an endearing flute line takes this song from a standard folk-pop into a new, ethereal world – if Wild Ride is only the second single from this young artist, it’s very exciting to wonder what she might come up with next.

 

Speaking on the inspiration behind the track, Brigitte says, Wild Ride is a coming of age track written about my decision to take a risk and pursue music full time.  It’s very fitting as I feel like it symbolises my entering further into the music industry, and is an opportunity for my audience to get to know me on a more intimate level due to the confessional lyrics.  It’s a track that really took on a mind of its own, becoming relevant at every crossroad that has presented itself since I wrote the demo. It holds a great significance to me as it’s an open book and offers me nothing to hide behind, so I see it as a powerful tool to grow as a person and as an artist.”

 

 

 

 

True to Wilk form, the clip for Wild Ride is a gorgeous visual display with Brigitte as the star – warm, psychedelic patterns float and warp the film as Brigitte stands alone in the middle of an ivy-covered forest, assured and confident.  Reflecting on the creation of the video, she says, Wilk really captured the coming of age element to the song, as well as the otherworldly adventure of making a big life change and leaping into the pursuit of a passion.” 

 

Wild Ride is the sparkling follow up single to Brigitte’s debut track Aphrodite, and offers a luscious taste of what is to come from her upcoming album Stellar Lights, set to drop later this year.

 

Wild Ride is out now.

 


 

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DJANGO DJANGO unveil new single and video ‘FREE FROM GRAVITY’ Their new album ‘GLOWING IN THE DARK’ out via Because/Caroline on FEBRUARY 12.

DJANGO DJANGO unveil new single and video ‘FREE FROM GRAVITY’  Their new album ‘GLOWING IN THE DARK’ out via Because/Caroline on FEBRUARY 12.

DJANGO DJANGO unveil new single and video ‘FREE FROM GRAVITY’

Their new album GLOWING IN THE DARK’ out via Because/Caroline on FEBRUARY 12.


 

As we get closer to the release of Django Django’s highly anticipated fourth album, ‘Glowing in the Dark’ (12 Feb), we release ‘Free From Gravity’, the third single in the album campaign.

 

 

 

 

 

Following on the heels of the pulsing album title track, “Free From Gravity” represents an arresting about turn for the band – a beautiful anthem about escape and perhaps the most complete expression of the album’s central themes coming together. Beautiful cascading bleep melodies and strings wrap around the funkiest stop-start drum machine and a relentlessly infectious bassline to perfectly embody the bittersweet theme of yearning to “escape everything that’s weighing you down.” The band explain: “It’s really about the planet being in such a mess that we eventually have to leave”.

The track comes accompanied by a stunning music video by British director Jim Canty that was shot on location in Mystic, Connecticut over the holiday period. It documents a day in the life of an adorable child dressed in a green alien costume…or is it a child?

Glowing in the Dark will be released via Because Music / Caroline Australia on
12 February 2021 on standard black vinyl, CD and digital download/streaming on all usual platforms.


PRE ORDER HERE

‘Glowing in the Dark’ tracklist:

Spirals

Right The Wrongs

Got Me Worried

Waking Up (feat. Charlotte Gainsbourg)

Free From Gravity

Headrush

The Ark

Night Of The Buffalo

The World Will Turn

Kick The Devil Out

Glowing In The Dark

Hold Fast

Asking For More

SINGLE: ‘Free From Gravity’ is out now.

ALBUM: ‘Glowing In The Dark’ is out on February 12.


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UNIFY GATHERING TO TAKE PLACE JANUARY 20-23, 2022 + 2021 RADIO TAKEOVER WRAPS UP WITH OVER 7,000 LISTENERS

UNIFY GATHERING TO TAKE PLACE JANUARY 20-23, 2022  + 2021 RADIO TAKEOVER WRAPS UP WITH OVER 7,000 LISTENERS

UNIFY GATHERING
TO TAKE PLACE JANUARY 20-23, 2022

+ 2021 RADIO TAKEOVER
WRAPS UP WITH OVER 7,000 LISTENERS


UNIFY is pleased to confirm its 2022 festival will go down from Thursday January 20 to Sunday January 23 2022.

 

Launched in 2015, UNIFY has become a staple of the mid-January festival season and a right of passage for heavy music fans. As Australia’s only heavy music camping festival, UNIFY’s first six years has included five sellout events and massive headline sets from the likes of The Amity AfflictionParkway DriveAlexisonfireViolent SohoUnderoathNorthlaneTaking Back SundayArchitects and The Ghost Inside.

 

While the festival had planned an all-Australian bill for 2021, COVID challenges lead the team to pushing the event back until 2022. To fill the gap in the heavy music calendar for fans this year, UNIFY hosted its debut radio takeover festival over the weekend, presented by our good friends at heavy radio station The Faction. The hugely successful UNIFY Radio Festival saw over 7,000 punters tune in to artist interviews, acoustic performances, past UNIFY live sets, DJs, crosses to fans tuning in at parties across the country, and slabs of bespoke UNIFY ’21 beers and tshirts shipping to diehards.

 

UNIFY Gathering looks forward to returning to Tarwin Lower in January 2022.


 

                                                     


 

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Tomahawk Return With New Album ‘Tonic Immobility’ – Out Friday 26 March + Listen To New Single ‘Business Casual’

Tomahawk Return With New Album ‘Tonic Immobility’ – Out Friday 26 March + Listen To New Single ‘Business Casual’

Tomahawk Return With New Album ‘Tonic Immobility’ – Out Friday 26 March + Listen To New Single ‘Business Casual’


Tomahawk, the rock band featuring Duane Denison (The Jesus Lizard/Unsemble), Trevor Dunn (Mr. Bungle/Fantômas), Mike Patton (Faith No More/Mr. Bungle, etc.) and John Stanier (Helmet/Battles), return with their first full-length album in eight years, the highly-anticipated Tonic Immobility – out Friday 26 March through Ipecac Recordings / Liberator Music.

 

“Tonic Immobility could just be something in the air we’re feeling,” says Denison. “It’s been a rough year between the pandemic and everything else. A lot of people feel somewhat powerless and stuck as they’re not able to make a move without second guessing themselves or worrying about the outcomes. For as much as the record possibly reflects that, it’s also an escape from the realities of the world. We’re not wallowing in negativity or getting political. For me, rock has always been an alternate reality to everything else. I feel like this is yet another example.”

 

 

A preview of the twelve-song album, which was co-produced by the band and Paul Allen, arrived overnight, with the release of ‘Business Casual’ – listen HERE. The track, which Denison describes as “a mocking look at the life of work in America,” marks the first new music from the foursome since 2014’s ‘M.E.A.T.’ single.

 

Tonic Immobility pre-orders are available now, with the album available in the following formats: digital, CD digipak, and 180 gram LP in textured gatefold packaging. Vinyl variants include standard black and coke bottle clear (5000 available).

 

 

 

LISTEN: Tomahawk – ‘Business Casual’


 

Tonic Immobility
Tomahawk

Album out Friday 26 March through Liberator Music/Ipecac Recordings
Available to pre-order here

Tonic Immobility tracklist:

1. SHHH!
2. Valentine Shine
3. Predators and Scavengers
4. Doomsday Fatigue
5. Business Casual
6. Tattoo Zero
7. Fatback
8. Howlie
9. Eureka
10. Sidewinder
11. Recoil
12. Dog Eat Dog

 


 

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DYLAN CARTLIDGE RELEASES NEW SINGLE “MOLASSES (WALK THE WALK)”

DYLAN CARTLIDGE RELEASES NEW SINGLE “MOLASSES (WALK THE WALK)”

DYLAN CARTLIDGE

RELEASES NEW SINGLE “MOLASSES (WALK THE WALK)”


Effervescent English talent Dylan Cartlidge has just revealed “Molasses (Walk The Walk),” his latest track and first single of 2021. The single follows the release of Cartlidge’s second EP, released last year, “Yellow Brick Road”. The groovy new track brings in the New Year with a tone as uniquely brilliant as the artist himself, it is a perfectly crafted piece that takes its listener on a rollercoaster of emotions and exposes them to new experiences of music, an ability that Dylan is so well known for.

 

 

 

The brilliantly layered harmonies powerfully open the song, building to the insanely impressive vocal qualities of Dylan Cartilage, which excitingly carries the song through each verse, playing with variety, tone and instrumental layering. The composition and production of the track coheres beautifully with the clever lyrics, the signature genius eclectic artistry that is Dylan Cartilage on full display.

 

 

“The song is about slumps and moments of demotivation in life. I wrote this song at a particularly tough time when I was experiencing burnout after getting home from tour,” says Dylan“It’s like going through bouts of purgatory where you almost feel like the person who set themselves all the goals, dreams and ambition is no longer at the steering wheel. You find yourself scrambling to find that part of yourself again or prepare to fake it till you make it, on the road back to finding yourself.”

 

 

 

 

 

Hailing from a small town in the North-East of England, Dylan Cartlidge has long since embraced the phrase “Hope Above Adversity” as his motto. His life path took a turn out of being submerged in adversity and gave him hope for his future when he was spotted and signed to Glassnote Music in 2018.

 

Last year was a mammoth year for Dylan Cartilage, the brilliant and effervescent “Yellow Brick Road” – produced by James Dring (Jamie TGorillaz) was released early in 2020 and truly set the tone for what was set to be an enormous next few releases. “Yellow Brick Road” has become Dylan’s biggest streaming success to date, as well being supported by Radio 1’s Jack SaundersAnnie Mac and Huw Stephens, spending 8 weeks on Amazing Radio’s A-List, being supported by John Kennedy at Radio XTom Robinson on 6Music and Matt Wilkinson at Beats1.

 

Following the release of “Yellow Brick Road,” Cartilage revealed his second single “Cheerleader” in July before dropping his first EP “Yellow Brick Road.” The EP was met with much praise, with critics hailing Cartlidge’s ability to shift from genre to genre as well as the brightness of his sound.

 

 

 

“Molasses (Walk The Walk)” is available to stream on all platforms now.


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DZ Deathrays Release New Single ‘All or Nothing’ From Highly Anticipated ‘Positive Rising: Part 2’ (Out Friday 9 July 2021)

DZ Deathrays Release New Single ‘All or Nothing’ From Highly Anticipated ‘Positive Rising: Part 2’ (Out Friday 9 July 2021)

DZ Deathrays Release New Single ‘All or Nothing‘ From Highly Anticipated ‘Positive Rising: Part 2’ (Out Friday 9 July 2021)


I OH YOU are fired up to present DZ Deathrays second single ‘All or Nothing’ lifted from their fifth studio album Positive Rising: Part 2 (out Fri 9 July 2021), the highly anticipated follow up from 2019’s Positive Rising: Part 1.

Premiering yesterday on triple J’s Drive, ‘All or Nothing’ is a testament to the objects that serve as reminders of home when the band are far from it.

 

“It’s reminiscent of touring life and the idea that something like a guitar can bring so much joy and adventure to our lives,” Parsons explains.

 

One of the hardest songs on the record to finish, Parsons rewrote the music over and over in different keys “to try see where it would go”. After six attempts it wound up right where it started: as a rollicking, garage epic that shifts key from verse to chorus. In other words: a classic DZ Deathrays song. “It’s the flip-side to some of the other tracks that look out into the world: this one looks into our little world.” 

 

 

 

Guitar hero ‘All or Nothing’ follows the anthemic sonic pep talk ‘Fired Up’ which was eaten up by fans and critics alike, seeing adds to international rock playlists on Spotify and Apple Music, hitting the 9th most played song on triple j just last week and receiving coverage from Rolling Stone AU, NME AU and Blunt Mag. Recently dropping the heartfelt acoustic version of the track while in iso, DZ take a step back from their punchy beats and melting riffs to substitute with a mix of soothing guitar plus cello, completely transforming the high energy tune into a romantic ballad.

 

DZ sent listeners into a frenzy when teaming up with one of their favorite bands, WAAX,  to deliver two absolutely belting covers – DZ reworking ‘FU’ and WAAX bringing their signature style to a rendition of ‘Fired Up’. Both bands molding the others’ song into passionate, head banging goodness that demands to be listened at full volume.

 

In celebration of their forthcoming album Positive Rising: Part 2, DZ have collaborated with the legends at Built To Spill to launch ‘DZ Deathrays Positive Sparkling Cremant’ – party fizz for one of Australia’s most high energy bands. The special release Pet Nat is made up of certified organic chenin blanc from Margaret River, WA. Positive Sparkling Cremant is finished like traditional sparkling wine, making it the ultimate thirst crusher yet still ultra-crisp and clean. Fans can order this limited-edition Pet Nat bundled with a digital pre-order of Positive Rising: Part 2 via Built To Spill while stocks last!

 

With a moodier tone than its predecessor, Positive Rising: Part 2 draws the outline of an apocalyptic scene, one that sees the band – Shane Parsons, Simon Ridley and Lachlan Ewbank – stepping outside of themselves, seeking out new perspectives and surveying the world from above. From up there, they don’t always like what they see, but Positive Rising: Part 2 offers a somewhat-hopeful ending to the sprawling rock saga.

 

‘All Or Nothing’ is coated in classic DZ Deathrays punk attitude, demanding attention to what they do best; slashing guitars and heavy riffs. The sonic mastermind gives a peak into the little world of DZ Deathrays and what Positive Rising: Part 2 has in store for fans.


 

‘All or Nothing’
DZ Deathrays

 

Single out now through I OH YOU

Available to buy/stream here


 

 

Positive Rising: Part 2
DZ Deathrays

Album out Friday 9 July 2021
through I OH YOU
Available to pre-order here

 

Positive Rising: Part 2 tracklisting:
1. Skeleton Key
2. Fear The Anchor (feat. Ecca Vandal)
3. All Or Nothing
4. Kerosene
5. Fired Up
6. Riff City
7. Make Yourself Mad
8. Golden Retriever
9. Swept Up
10. Run The Red
11. Positive Rising


 

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AHADIZZ RETURNS WITH A MUSIC VIDEO FOR ‘SEXUAL CHOCOLATE’

AHADIZZ  RETURNS WITH A MUSIC VIDEO FOR ‘SEXUAL  CHOCOLATE’

AHADIZZ

RETURNS WITH A MUSIC VIDEO FOR ‘SEXUAL

CHOCOLATE’


After releasing a full-length album titled ‘Man in the Moon’, filled with 15 tracks, in the month of March last year.

Perth-based rapper Ahadizz is making moves this year with a music video for his track ‘Sexual Chocolate’.

 

 

 

 

 

The music video for ‘Sexual Chocolate’ is the brainchild of Ahadizz himself, handling every aspect of the music video from the directing, editing, producing and all the way to acting as the talent on screen. The video is a perfect compliment to the spacey track, showcasing a wide array of scenes glittered with neon lights and a manifestation of the brandish lyrics the artist uses.

 

“It doesn’t have to be perfect just good enough” – Ahadizz

 

Hallmarks in Hip-hop the likes of Meek Mill and Drake have inspired the sound Ahadizz’s brings about in his music, delivering his rhymes through slow and smooth flows on a wide array of instrumentals. His diction can be compared
to artists such Aj Tracey, Skepta, and Tupac Shakur showing his influences from the UK drill scene which is
prevalent in today’s Australian music scene.

 

 

Taking a hands-on approach to his music has allowed Ahadizz to be involved in every aspect of his release from the
production, writing, promotion, mixing and mastering of each track, which has garnered him a number of achievements under his wing. Receiving nods from publications such as Female.com.au and Raucous Youths, giving him praises for the diversity this artist is able to show.

 

2021 has just started for Ahadizz, coming in strong with a music video to start the year off, to be followed by another
release in February and to top it all of another music video in March. Make sure to catch all his releases by following
his socials down below!

 


 

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