TEDDY SWIMS ANNOUNCES I’VE TRIED EVERYTHING BUT THERAPY TOUR – AUSTRALIA & NEW ZEALAND | JULY 2024

TEDDY SWIMS ANNOUNCES I’VE TRIED EVERYTHING BUT THERAPY TOUR – AUSTRALIA & NEW ZEALAND | JULY 2024

TEDDY SWIMS

ANNOUNCES I’VE TRIED EVERYTHING BUT THERAPY TOUR – AUSTRALIA & NEW ZEALAND | JULY 2024

 

‘Lose Control’ singer returns down under… Tickets on sale Friday!


After capturing the hearts of audiences worldwide, vocal powerhouse and Atlanta singer-songwriter Teddy Swims is thrilled to announce his much-anticipated return, following his previous two sold out tours, to Australia and New Zealand this July 2024 – proudly presented by Frontier Touring.

 

Boasting a staggering 2.2 billion streams worldwide, Swims, along with his phenomenal band Freak Freely, will deliver an unforgettable set of performances when he returns to play his biggest venues to date down under. The formidable singer’s rise continues its trajectory in 2024, with his stratospheric single ‘Lose Control’ taking over airwaves and streaming platforms globally, hitting #4 on the Billboard Global 200.

 

I needed to write about the moment we lost our shot in order to help myself make sense of it all these years later,” says Swims of the track – which has soared to the top of the charts since its release over six months ago, peaking at #2 on the Billboard charts in the USA last month and ​ #3 in the UK. In Australia, ‘Lose Control’ is ARIA certified Platinum with over 20 million AU Streams, reached #7 on the ARIA single charts, and #1 on the AU Shazam Chart. After spending 11 weeks at the top of the airplay charts in NZ, it is now certified Platinum as well and #4 on the official NZ singles chart. ​ ​

 

Tickets to Swim’s I’ve Tried Everything But Therapy Tour go on sale Friday 8 March (1pm local time) via frontiertouring.com/teddyswims. The Frontier Members presale starts Thursday 7 March (12pm local time) – see website for more info.

 

 

WATCH TEDDY SWIMS: ‘LOSE CONTROL’ LIVE

 

 

 

&nbs

 

Born Jaten Dimsdale, Teddy Swims has journeyed through the depths of self-discovery on his latest release, pouring his heart and soul into his 2023 debut studio album, I’ve Tried Everything But Therapy (Part 1) – out now via Warner Records. The deeply resonant album chronicles Swims’ personal triumphs and tribulations, and quickly struck a chord with fans. Swims continues to captivate audiences with his soulful voice and genre-defying sound. From soul to funk, gospel to R&B, Swims effortlessly navigates through a diverse range of musical styles, showcasing his remarkable versatility and artistry.

 

“Now I’m watching people connect with the messages and stories and realising not only are the songs helping me, but they’re also helping them too,” Teddy says of the album, which follows four EP releases. “It feels like all that work on the back end, all that internalising, is finally making a difference.”

 

From soul to funk, gospel to country to R&B, it all comes back to that unbelievable voice, heard on his early YouTube powerful cover songs (the Journey classic ‘Don’t Stop Believin’’, Shania Twain’s ‘You’re Still The One’) and singles such as ‘Love For A Minute’, ​ ‘dose’‘911’‘Bed On Fire’ ‘Broke’ (ft. Grammy nominated superstar Thomas Rhett), ‘Love For A Minute’, and many more.

 

 

Teddy Swims is only just getting started. Prepare to be swept off your feet when he returns for his highly anticipated tour of Australia and New Zealand this July… tickets on sale Friday!


 

TEDDY SWIMSI’VE TRIED EVERYTHING BUT THERAPY TOURAUSTRALIA & NEW ZEALAND​JULY 2024


 

TICKETS ON SALEBegins: Friday 8 March (1pm local time)

 

Thursday 4 July​Christchurch Town Hall | Christchurch, NZLic. All Agesticketek.co.nz

 

Saturday 6 July​Spark Arena | Auckland, NZLic. All Agesticketmaster.co.nz

 

Sunday 7 July​Michael Fowler Centre | Wellington, NZLic. All Agesticketmaster.co.nz

 

 

Tuesday 9 July​Fortitude Music Hall | Brisbane, QLD18+ticketmaster.com.au

 

Friday 12 July​Hordern Pavilion | Sydney, NSWAll Agesticketek.com.au

 

Saturday 13 July​Margaret Court Arena | Melbourne, VICAll Agesticketek.com.au

 

Wednesday 17 July​Hindley Street Music Hall | Adelaide, SA18+moshtix.com.au

 

Friday 19 July​Riverside Theatre | Perth, WAAll Agesticketek.com.au

 

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


ULTRA Australia (Melbourne) and ULTRA Beach Gold Coast unveil final lineups for 2024

ULTRA Australia (Melbourne) and ULTRA Beach Gold Coast unveil final lineups for 2024

ULTRA Australia (Melbourne) and ULTRA Beach Gold Coast unveil final lineups for 2024

 

The inaugural edition of ULTRA Beach Gold Coast has officially
sold out


ULTRA Australia has unveiled the final lineup additions for its 2024 festivals.

 

The debut ULTRA Beach Gold Coast, which has already sold out, is set to take place on
Friday, April 12 at the stunning Broadwater Parklands. Then on Saturday, April 13, the
flagship ULTRA Australia event will return to its beloved home at Flemington Racecourse in
Melbourne.

 

Previously announced headliners for ULTRA Australia and ULTRA Beach Gold Coast include an array of multi-award-winning artists, such as multi-platinum artist Zedd, A State Of Trance-boss Armin Van Buuren, global party-starter Steve Aoki, and hardstyle favorites Darren Styles and Brennan Heart. British icon Carl Cox will perform a special hybrid set at ULTRA Australia in Melbourne only.

 

In addition to these stadium-smashing headliners, ULTRA Australia and ULTRA Beach Gold Coast have just added a bevy of the talented support acts to finalize their lineups.
Melbourne-native Will Sparks and certified-platinum Croatian-German DJ Topic will perform
at both ULTRA Australia and ULTRA Beach Gold Coast.

 

Rounding out the ULTRA Australia lineup are Main Stage performers like world-renowned
British selector Will Atkinson and veteran Dutch DJ/producer Jeffrey Sutorius. New additions at the RESISTANCE Stage include Ibiza-native Anna Tur, Australian techno purveyor Juliet Fox, and Chrisotpher Coe – the fellow-Australian-native and Awesome Soundwave-label boss (alongside Carl Cox).

 

 

 

ULTRA Australia takes pride in creating an all-encompassing entertainment experience for
its fans from around the world. Revel in mesmerizing performances from the ULTRA Angels, relax in the designated, shaded ‘chill out’ areas, enjoy culinary delights from a vast array of local food trucks, and taste cocktails from the various bars stationed throughout the festival grounds.

 

ULTRA Worldwide continues to cement its status as the most international music festival
brand, boasting active events on all six inhabited continents. The global festival brand is
celebrated for delivering an unparalleled combination of top-tier electronic talent, cutting edge technology and large-scale productions.

 

Tickets are on sale now at www.ultraaustralia.com


 

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PORTIA CLARK RELEASES EMOTIVE NEW SINGLE ‘Look What You’ve Done’

PORTIA CLARK RELEASES EMOTIVE NEW SINGLE ‘Look What You’ve Done’

PORTIA CLARK

RELEASES EMOTIVE NEW SINGLE

Look What You’ve Done


Much like the artist herself, Portia Clark’s latest single ‘Look What You’ve Done’ is powerful, inspiring, and uplifting.

 

Portia co-wrote her brand new single – the first taste of her upcoming album, scheduled for release in 2024 – with Audius Mtawarira (Flo Rida, Delta Goodrem, Jessica Mauboy), a multiple ARIA and APRA award-winning African-born, Sydney-based hitmaker.

 

 

 

 

Throughout ‘Look What You’ve Done’, gentle guitar picking, suspended strings and a softly swaying beat cradle Portia’s sublime, soul-stirring vocal performance. “Were you really born here to suffer?” she ponders, channelling her own hardships in order to portray complex emotions through song.

 

Born into poverty in Lusaka, Zambia and ostracised from her church following a teenage pregnancy, Portia also survived domestic violence before finding true love and relocating to Perth, Australia in 2014. Here, Portia has created the kind of life she always dreamed of, together with her loving husband Brendan and their three children.

 

Slick production consistently serves to enhance Portia’s exceptional vocals, which retain their rightful place under the spotlight for the duration of ‘Look What You’ve Done’. She also poses a string of important questions during her deeply personal latest single: “Where is the joy in the life I’ve been fighting for?…“Would God really want all this despair behind every door?

 

Portia is living proof that unwavering faith can transform lives. “Singing’s my life. Portia reflects of the gift that gave her hope and ultimately saved her. By consistently pushing through adversity with courage and persistence, she noticed her dreams started to closely resemble reality.

 

There’s a significant lyrical shift from first to third person in the second chorus of ‘Look What You’ve Done’ – “Oh look what we’ve done…” – as Portia finally feels supported, no longer needing to shoulder life’s burdens alone. Listeners would then be wise to brace themselves for her awe-inspiring, climactic powernote – Portia’s idol Whitney Houston springs to mind – during the song’s soaring bridge: “It’s time to look inside, it’s in all of you/ Unconditional love inside your heart.”

 

Through bravely sharing her story and her incredible singing voice, Portia hopes to “uplift people that feel down”: “When I sing my music, I want to be able to encourage people that are hurt. I want my presence – when I stand on stage, singing – to connect with people. I want them to feel better about themselves by the time I’m done singing, because I know how it feels to be hurt and have nobody to talk to. People have different ways of healing and finding encouragement. Just reading my story could save someone’s life.”

 

 

 

Look What You’ve Done’ is out now on all streaming platforms.


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BALI’S OWN SETTLE, ROCKS THE SCENE WITH DEBUT ALBUM – A MASTERPIECE OF EMOTIONAL DEPTH AND MUSICAL DIVERSITY

BALI’S OWN SETTLE, ROCKS THE SCENE WITH DEBUT ALBUM – A MASTERPIECE OF EMOTIONAL DEPTH AND MUSICAL DIVERSITY

BALI’S OWN

SETTLE

ROCKS THE SCENE WITH DEBUT ALBUM –

A MASTERPIECE OF EMOTIONAL DEPTH AND MUSICAL DIVERSITY


Settle, the emerging alternative rock/emo/punk sensation hailing from the tropical paradise of Bali, Indonesia, is set to make waves in the music scene with their debut album. Comprising ten powerful tracks, this album is a sonic journey drawing from their alternative rock and emo influences, resonating deeply with listeners who find solace in music as a means of understanding life’s complexities.

 

Settle’s debut album is a testament to their musical prowess and storytelling abilities. With a range of themes that touch upon adult life, mental health, social critique, and the feelings of isolation, each song delves into the depths of human emotions and experiences, offering listeners a rich and evocative musical experience.

 

The album showcases Settle’s commitment to delivering authentic and thought-provoking content through their music. Their songs are a reflection of personal experiences and observations, inviting listeners to connect on a deep emotional level. Settle’s ability to blend alternative rock and emo influences results in a unique sound that is both melodic and raw, striking a chord with a diverse audience.

 

Listeners can expect a musical journey that traverses a spectrum of emotions, from introspective and melancholic to energetic and rebellious. The album offers a well-rounded experience, with each track telling a different story and exploring a different facet of life.

 

 

 

 

 

Settle’s debut album is a significant milestone in their musical journey, and it promises to captivate both loyal listeners and new listeners alike. With their unique sound and meaningful lyrics, Settle is poised to make a lasting impact on the alternative music scene not only in Bali but also on a global scale.

 

The band members express their excitement and gratitude for the opportunity to share their music with the world. They believe that music has the power to heal, inspire, and unite people, and this album is their contribution to that universal language.

 

To stay updated on Settle’s album release and upcoming performances, visit or follow them on social media @settlemusic to join the conversation and be part of their musical journey.

 

Settle’s debut album is set to be a defining moment in the world of alternative rock and emo, and it’s a testament to the band’s dedication to their craft and their commitment to delivering music that resonates deeply with their audience.

 


 

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MASON DANE RETURNS WITH INFECTIOUS DARK-POP TRACK “DOUBLE STANDARDS”

MASON DANE RETURNS WITH INFECTIOUS DARK-POP TRACK “DOUBLE STANDARDS”

MASON DANE

RETURNS WITH INFECTIOUS DARK-POP TRACK

DOUBLE STANDARDS


Newcastle based songwriter and producer Mason Dane returns today with his infectious dark-pop new track “Double Standards” via Warner Music Australia. Listen HERE.

 

 

Double Standards”, which despite touching on the trials and tribulations of a toxic relationship, is an irresistibly catchy and energetic track. It’s upbeat rhythms and energetic vibes, accompanied by an undeniably humorous and entertaining visualiser, will have fans and music lovers alike falling in love with this song.

 

 

Watch Here.

 

Speaking on “Double Standards”, Mason says: “Double Standards is a special one for me. My first proper step into a new sound & new feel. I wrote this song with my bros from Philly Jake & Jared Krumm, the song is about the unfair back and forth in a relationship. You ever get told not to do something & then they just go and do it themselves? That’s the idea for this track. Big summer pop vibes & I’m super gassed to be sharing my first release with Warner Germany & Aus. We shot the video in Melbourne with Dynamic Visuals & it turned out insane! The video shows me racing around the city trying to find a girl after I was late to a date. Super excited for this new direction & I hope you guys are too.”

 

Having started his journey by creating a makeshift studio out of his parents Series 2000 Caravan, Mason has come incredibly far in his career to date having successfully worked with a diverse array of talent and collaborating with the likes of Manu Crooks, Blessed, Hooligan Hefs, Day1 and many more. He’s also opened for global superstar Yung Gravy, performed with T-Pain, and recently performed at Justin Bieber’s Halloween party.

 

Mason’s demo catalogue is now prolific and sits at over 300 songs. When you think of Mason Dane, think of Travis Scott’s energy & drive, writing inflections reminiscent of a young ED Sheeran and Jack Harlow because you truly can’t judge this book by the cover.

 

Mason Dane is one of Australia’s most prominent Up and Comers helping shape international sounds within the Australian Culture and a force within the New Wave. Is there anything Mason can’t do? Time will tell as he travels on this journey to put Newcastle on the map.

 


 

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ULTRA AUSTRALIA ANNOUNCES PHASE 1 LINEUP

ULTRA AUSTRALIA ANNOUNCES PHASE 1 LINEUP

ULTRA AUSTRALIA ANNOUNCES PHASE 1 LINEUP

 

ULTRA WORLDWIDE UNVEILS PHASE 1 LINEUP FOR 2024 AUSTRALIAN FESTIVALS

 

HEADLINERS INCLUDE ARMIN VAN BUUREN, BRENNAN HEART, DARREN STYLES, STEVE AOKI, AND ZEDD

CARL COX TO PERFORM HYBRID LIVE SET AT ULTRA AUSTRALIA


ULTRA Worldwide has announced its Phase 1 lineup for the 2024 Australian events, which will launch with the debut edition of ULTRA Beach Gold Coast on Friday, April 12, at the stunning location, Broadwater Parklands.  On Saturday, April 13, ULTRA Australia will return to Flemington Racecourse in Melbourne.

 

The Phase 1 headliner lineup features an array of multi-award-winning and platinum-selling artists from across the world including ULTRA pioneers, multi-platinum artist Zedd, A State of Trance boss Armin van Buuren, and global party starter Steve Aoki. British icon Carl Cox will perform a special hybrid live set at ULTRA Australia only.

 

ULTRA Australia will also feature headlining performances from hardstyle favourites Darren Styles and Brennan Heart. 

 

The one-day event in Melbourne will include the mammoth Main Stage and the hub of underground sounds at the RESISTANCE Stage.  ULTRA Beach Gold Coast will host its inaugural edition as a single-stage event. 

 

ULTRA Australia takes pride in creating an all-encompassing entertainment experience for its fans from around the world. Revel in mesmerizing performances from the ULTRA Angels, relax in the designated, shaded ‘chill out’ areas, enjoy culinary delights from a vast array of local food trucks, and taste cocktails from the various bars stationed throughout the festival grounds.  

 

ULTRA Worldwide continues to cement its status as the most international music festival brand, boasting active events on all six inhabited continents. The global festival brand is celebrated for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology and large-scale productions.

 

 

ULTRA BEACH GOLD COAST – FRIDAY, 12 APRIL 2024

BROADWATER PARKLANDS

ULTRA AUSTRALIA – SATURDAY, 13 APRIL 2024

FLEMINGTON RACECOURSE IN MELBOURNE

 

Tickets are on sale now at www.ultraaustralia.com


 

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EMILY BARKER RELEASES POIGNANT NEW SINGLE WILD TO BE SHARING THIS MOMENT

Emily Barker

EMILY BARKER

RELEASES POIGNANT NEW SINGLE

WILD TO BE SHARING THIS MOMENT


After living in the United Kingdom for more than two decades, Emily Barker – the prolific, award-winning contemporary singer-songwriter best known for composing and performing the theme for Wallander, the BBC’s hugely successful crime drama starring Kenneth Branagh – returned home to Western Australia to begin a new musical chapter with her latest single, ‘Wild To Be  Sharing This Moment’, out now through Everyone Sang/Kartel Music Group and embarking on a national tour with UK artist, Frank Turner.

 

I see a thousand worlds in the window
Of a train as it passes me by
Each one plugged into an orbit
Their own pain, their own lullaby.

 

While waiting for the train at London’s Kings Cross station, inspiration struck. Emily quickly plucked a notebook from her bag to document her musings. “I was people watching and thinking of how vulnerable we all are, with our own stories and secrets, all sharing this same moment in time and space,” she recalls.

 

Emily had been at a birthday party celebrating a friend’s son turning one and a wave of nostalgia washed over her for a simpler time living on a narrowboat in London. “I’d had a couple of G&Ts,” she quips.

 

 

 

 

On the train, “there were passengers sleeping at awkward angles, some reading, some playing games on their phones, some with masks, most without, some listening to music and tapping a foot, children clinging to parents.

 

“I found myself questioning where empathy has gone,” Emily remembers. “The song is about compassion. The war in Ukraine had just started and it was all feeling very intense, much like it is right now.”

 

How can we study the wounds of our history
and still send our children to war?

 

“I’m an advocate for keeping conversation alive across divides,” Emily stresses, “for trying to approach each encounter as an opportunity for connection. We must find our common humanity in order to make the world a safer, better place for us all to live in.”

 

 

Arresting drums and sparse, plaintive synths and guitar usher in Emily’s lilting, pensive vocal as a sustained undercurrent creates a sense of forward momentum. ‘Wild to be Sharing This Moment’ unfurls gradually, propelling the listener towards a vast, cinematic climax, each additional verse bringing new meaning to the instantly memorable chorus.

 

Isn’t it wild to be sharing this moment
The same very thimble of time.

 

The song’s accompanying music video, created by Headjam, zooms in on a formative moment: a group of teenage girls on school photo day, with Emily playing the role of photographer. “We don’t know anything about them, but we have this snapshot of a key moment in their lives and are left to wonder about their hopes and fears and who they might go on to be,” she explains.

 

Of the apposite timing of her latest single, Emily acknowledges, “Songs sometimes reveal a life of their own — the world changes around them, but they still speak to the moment.”

 

Truth is a hope to hold onto
And where it blooms we will go.

 

Alongside the release of ‘Wild To Be Sharing This Moment’, Emily Barker embarks on a tour opening for her long-time friend and collaborator, Frank Turner.

 

 

 

 

17 Nov – WELLINGTON Hunter Lounge
18 Nov – AUCKLAND Studio
21 Nov – CANBERRA The Basement
22 Nov – SYDNEY Enmore Theatre
24 Nov – BRISBANE The Tivoli
26 Nov – MELBOURNE The Forum
28 Nov – PERTH Astor Theatre
29 Nov – ADELAIDE Hindley Street Music Hall

 

Emily & Frank Turner will also appear at Queenscliff Music Festival on 25 and 26 November.


 

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VIRGIN MARY DISCO DISH OUT INFECTIOUS NEW SINGLE ‘FOR FREE’

VIRGIN MARY DISCO DISH OUT INFECTIOUS NEW SINGLE ‘FOR FREE’

VIRGIN MARY DISCO

DISH OUT INFECTIOUS

NEW SINGLE

FOR FREE


The year is not yet over, and Virgin Mary Disco are taking no prisoners. 2023 has seen the release of two brand spanking new singles from the up and-comers, and they continue the onslaught with the new painfully catchy ‘For Free’.

 

 

 

Coming in at well under 3 minutes, the track stays true to the band’s ethos of delivering short, sharp, punchy nuggets of musical gold. Steady verse, powerful chorus, strong guitars, propulsive drums, and crowd heaving energy; all boxes are well and truly ticked. The track was recorded at Head Gap in Preston with Rohan Sforcina (Little Ugly Girls, Mildlife, Rolling Blackouts C.F.)

 

It’s been a massive year for the band who released their debut single only 8 months ago. Their previous two singles (‘Modern Man’ and ‘Automation’) have been garnering praise from media and fans alike, with ongoing support from radio such as PBS, 4ZZZ and 2XX, and sold out
single launches. In more recent news, the band have also just announced that they will be supporting Amyl and The Sniffers at their Frankston show on November 25th.

 

 

 

“The song is about the experience of employment in the modern workplace and capitalism. The lyrics for ‘For Free’ came from my own mishearing of the song ‘Making Flippy Floppy’ by Talking Heads. When Byrne sings ‘Business and pleasure, lie right to your face’, I always heard
‘Business IS pleasure’, a contradiction I could identify with, and the lyrics grew from there. Many companies today present themselves as supportive, community environments (some may even be genuine in their pursuit), but at the end of the day they continue to thrive on a system based on the extraction of cheap resources and cheap labour, leaving us to pay the true cost of their greed.”

Spencer Morris, Virgin Mary Disco

 

 

“The music for ‘For Free’ originally came from a spontaneous jam at practice several years ago. Liam had a bassline, and I came up with the guitar part and chorus pretty instinctively. The vague intention I had with the guitar part was somewhere between surf rock and The Smiths.
During recording I told Rohan my original intent of sounding surf rock and he lent me his vintage 60s fender jaguar, a staple of surf rock classics, to give the guitar solo a distinctly dry and tremolo heavy tone. I think there is still some Smiths influence in the funky bass line and clean tone and it has a very danceable feel.”

Duncan Callaghan, Virgin Mary Disco

 

 

Artwork by Liam Spicer-Quinn. Photograph by Jonah Scotti.

 

“A rollicking cut of upbeat, new wave inspired indie sounds, rapid-fire guitars and swirling synths in the mix alongside sing-a-long inducing vocals, all of which reaches a climax as the song ends in an all too satisfying instrumental freak-out.”

Pilerats

 

 

“Automation builds subtly throughout with a massive drop towards its final stand, giving off those goosebumpy epic vibes, the ending is truly epic and is beyond their years.”

AAA Backstage

 

 

“Virgin Mary Disco’s debut single, ‘Modern Man’, complements perfectly their mission statement: angular, thumping garage rock mashed with frenetic, bluesy guitar licks and a DIY brashness bristling with enough ‘tude to match any Grumpy Cat meme.”

Scenestr


 

 

Virgin Mary Disco are playing the following shows:

Single Launch
Cactus Room
Saturday 11th November
Supported by Licklash and Worker & Parasite

 

 

Amyl and The Sniffers

Pier Bandroom
Saturday 25th November
with Dumb Punts

 

 

Virgin Mary Disco is – Spencer Morris (vocals) Liam Spicer-Quinn (bass)
Duncan Callaghan (guitar) and Jackson Spessot (drums).


 

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FLEETING PERSUASION RELEASE NEW SINGLE ‘STILL DARK’

FLEETING PERSUASION RELEASE NEW SINGLE ‘STILL DARK’

FLEETING PERSUASION

RELEASE NEW SINGLE

STILL DARK

 

FOR FANS OF: The Cure, My Bloody Valentine, New Order


Fleeting Persuasion release their second single for 2023, another stellar collaboration between the band’s James Harrison and musician Tobey Doctor.  

 

Shared ideas, and mutual musical inspiration is the name of the game for Fleeting Persuasion’s James Harrison (guitar/vocals). Following a string of well-received singles through 2021/22, written and recorded with producer Josh Whitehead during the pandemic years, James then began flexing his creativity with ex-Sounds Like Sunset drummer Tobey Doctor (drums/bass).

 

The latter contributed drums, bass and studio chops to their 2022 single ‘Etched‘, a song that twitched and surged with chiming indie rock melodies and angular post-punk shapes, before they released ‘Slipped‘, which further explored their minimal and deeply emotive music.

 

There’s a collection of songs I’ve been working on with Tobey,” says James. “He’s got quite the producer’s brain and so the drums, bass lines and production have been his vision. I haven’t needed much convincing as we both love similar sounds and textures!

 

Through their prolific writing and recording sessions, ‘Still Dark‘ emerged as an outlier that sits apart from their forthcoming album yet it became an essential Fleeting Persuasion track that the pair felt needed to be released as a standalone single.

 

The single possesses both a sparkling, bright musical optimism and woozy melancholic guitar sounds that jar and unsettle beautifully, like that Midas touch of My Bloody Valentine when they sonically subverted guitar rock in the 80s.

 

 

 

We were having an awfully miserable time of it in the studio,” James recalls. “So we decided to try and write the most absurd and upbeat song we could. We didn’t really get to a truly happy song, but then again look what happened to Icarus.

 

Fans of New Order, MBV, The Cure and music that thrives on both melody and melancholy will find much to like about the latest release from the endlessly intriguing Fleeting Persuasion.

 

 

 

 

https://fleetingpersuasion.bandcamp.com/track/still-dark

‘Still Dark’ is out now on Bandcamp, streaming services and AMRAP for our community radio friends across Australia.

 

 


 

FLEETING PERSUASION
Fleeting Persuasion is the latest project of prolific Melbourne-based creative James Spencer Harrison who has also released several well-received albums, singles and EPs under the J M S Harrison moniker. The last of which, 2017’s Traced Out, was leading James towards a denser and richer full-band sound. That inspired a change of name and Fleeting Persuasion was born.
In 2019 Fleeting Persuasion released the album Forever Caught, capturing a set of songs that possessed echoes of The Cure, tightly woven post-rock and Australian acts such as Bluebottle Kiss filtered through his own brand of heart-on-sleeve melancholia. It was certainly indie rock but the kind that resides in the shadows, always carving out new angles and creating interesting dynamics. Now, in 2023, there are a further two Fleeting Persuasion albums in the works.

Splitting his time between Fleeting Persuasion and solo pursuits has established Harrison as a regular fixture on the live music scene, opening for renowned artists including Painters & Dockers, Steve Kilbey (The Church), Jamie Hutchings (Bluebottle Kiss), Peter Fenton (CROW), Hermitage Green (Ireland), The Clouds, China Crisis and She Wants Revenge,


PRESS
 There is very much an early The Cure sparseness and melodic thrust, with a refrigerated edge that sends shivers up the spine.”
Backseat Mafia on ‘Still Dark’
…a moody post-punk number anchored by propulsive drums and a prominent bass line that utilises a chorus effect a la Peter Hook and Simon Gallup.”
Music Feeds video premiere for ‘Etched’

“‘Hollow’ is a track that gets under your skin. With dark synths, melancholic vocals and moody guitars, it’s reflective and moving… enchanting and riveting.”
the AU review

“Dripping with a melancholic nostalgia that is hard to capture, ‘Night Arrives’ is a captivating combination of brightly textured instrumentation, brooding melodies, and big 80s snare drum echo/delays, all woven neatly together with smooth-like-butter production.”

Forte on ‘Night Arrives’

“Fleeting Persuasion have put themselves on the top shelf with this release. A warm and thought provoking track.”
AAA Backstage on ‘Passed Through’

“It’s a compelling atmosphere that somehow exists within two seemingly opposing sonic spaces – with its sleek electronic touches blended against his usual shadowy guitar interplay and looming melodies.”
Trouble Juice on ‘Eternal’


 

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CHER RELEASES FIRST-EVER HOLIDAY ALBUM “CHRISTMAS”

CHER RELEASES FIRST-EVER HOLIDAY ALBUM “CHRISTMAS”

CHER

RELEASES FIRST-EVER HOLIDAY ALBUM “CHRISTMAS


Cher has made our holiday wishes come true with the release of “Cher Christmas” – available now via Warner Records. Listen HERE.

 

 

“Christmas“, Cher’s first new studio album in five years, includes 13 songs – several holiday classics and four originals. It also has a star-studded list of musical besties including Darlene Love, Stevie Wonder, Michael Bublé, Cyndi Lauper and Tyga.

 

 

I never say this about my own records but I’m really proud of this one. It is one of the most amazing highlights of my career,” commented Cher.

 

 

The Guardian raved, “The catchy dance track, ‘DJ Play a Christmas Song,’ evokes a night that’s anything but silent.” And Consequence added, “‘DJ Play a Christmas Song’ is a rebel’s anthem for anyone whose parents told them Santa Claus would skip their house if they didn’t go to sleep”

 

DJ Play A Christmas Song,” the first single, was written by Sarah Hudson (Dua Lipa, Katy Perry, Troye Sivan) and her team who contributed four new songs for the album.

 

Recorded primarily in LA and London, “Christmas” was produced by longtime collaborator Mark Taylor (“Believe”). Songs include beloved superstar duet classics “What Christmas Means To Me” with Stevie Wonder and “Christmas (Baby Please Come Home)” with Darlene Love. (Darlene first recorded the song with Phil Spector and a l7-year-old Cher singing background vocals); in addition to a haunting version of “Home” written and sung with Michael Bublé.

 

One of the many highlights is a duet by Cher and Stevie Wonder. Of Stevie’s “What Christmas Means to Me.” Commented Cher, “Every time I hear that harmonica, I’m a teenager again. It’s a personal dream come true for me to record this song with Stevie.

 

 

Two other standouts include an unexpected pairing with Tyga on another Sara Hudson song called “Drop Top Sleigh Ride” produced by Alexander Edwards, Mike Crook and Ryan OG, and the magnificent “Angels in the Snow” plus “Put A Little Holiday In Your Heart” with Cyndi Lauper.

 

 

Cher is also celebrating the 25th anniversary of her multi-platinum Grammy-winning “Believe” with the release of “Believe 25th Anniversary (Deluxe Edition)” on Warner Records.

 

 

 

CHER “CHRISTMAS ” TRACK LIST:

 

  1. DJ Play A Christmas Song
  2. What Christmas Means To Me (with Stevie Wonder)
  3. Run Run Rudolph
  4. Christmas (Baby, Please Come Home) [with Darlene Love]
  5. Angels In The Snow
  6. Home (with Michael Bublé)
  7. Drop Top Sleigh Ride (with Tyga)
  8. Please Come Home For Christmas
  9. I Like Christmas
  10. Christmas Ain’t Christmas Without You
  11. Santa Baby
  12. Put A Little Holiday In Your Heart (with Cyndi Lauper)
  13. This Will Be Our Year

 

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JAKE STONE RELEASES EMOTIVE NEW SINGLE, LATE NIGHTS

JAKE STONE RELEASES EMOTIVE NEW SINGLE, LATE NIGHTS

JAKE STONE

RELEASES EMOTIVE NEW SINGLE

LATE NIGHTS


Late Nights is the latest offering from Melbourne artist, Jake Stone. It is the first of many
collaborations with prolific co-writer/producer Josh King.

 

Reflecting on Late Nights, Jake shares: “A big element of the song is this need for victory after a breakup; someone who comes out better off and seems to move on too quickly.”

 

Is it even possible to ‘win’ a breakup? When relationships end and people get hurt, there can be no winner. And continuing to hang out with mutual friends, post-breakup, tends to stall emotional
progress by keeping your ex front of mind as well.

 

Opening with a plaintive, meandering guitar line, Late Nights finds our protagonist stuck in a
heartbreak spiral while his partner has already moved on: “Still thinking ‘bout the way that you let it end/ Still thinking ‘bout the way you said we’re better as friends/ But right now it doesn’t feel like it…”

 

Insistent drumbeats add dramatic impact to the song, before its stripped-back pre-chorus,
featuring taunting layered vocals, plays the blame game: “And I remember the way that you framed it/ You as the victim, when we both know it’s blameless…”

 

Then enter Late Nights’ soaring chorus, delivered as though summoning up all remaining
willpower to release the heartache: “Did you really mean what you told our friends?/ ‘Cause I really never thought that I’d be the bad guy…”

 

Nearing the song’s conclusion, driving beats underscore a crucial narrative shift heading into the bridge: “This is the last time/ Thinking about all the late nights/ Wondering why your heart broke mine…” With power finally reclaimed, Late Nights concludes how it began: paring right back to that winsome, pensive introductory guitar line.

 

 

 

 

 

Although this song’s lyrics were mostly completed within 30 minutes – using Heartbreak
Anniversary by Giveon and Falling Asleep At The Wheel by Holly Humberstone as reference points – Jake describes the overall signwriting process as “bizarre”. After transposing some piano chords onto the guitar, Jake and his co-writer/producer then pitched the melody up a couple of octaves and viola! Late Nights finally crystallised after a few days spent toiling away in the studio.

 

But it was the mixing and mastering process that really brought Late Nights to life. Blake Malone, a Gold Coast-based producer best known for his collaborations with Amy Shark, worked his mixing magic and Jake remembers, “It was amazing. He heard something different in the song, which totally transformed it.” Then once world-renowned mastering engineer Leon Zervos (P!nk, Rihanna, Beastie Boys) added final touches to Late Nights, Jake extols, “This is perfect! This is what we want. This is the best song we’ve ever written together!’

 

 

 

Late Nights is out now across all streaming platforms.


 

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COYLE GIRELLI SHARES NEW SINGLE BETWEEN US LIFTED FROM NEW ALBUM MUSEUM DAY SET FOR OCTOBER 27 RELEASE

COYLE GIRELLI SHARES NEW SINGLE BETWEEN US LIFTED FROM NEW ALBUM MUSEUM DAY SET FOR OCTOBER 27 RELEASE

COYLE GIRELLI

SHARES NEW SINGLE

BETWEEN US

LIFTED FROM NEW ALBUM MUSEUM DAY

SET FOR OCTOBER 27 RELEASE


A fresh and upbeat love letter to a harlequin romance, the new single Between Us out now from multi-platinum English troubadour Coye Girelli takes a charming step closer to the impending release of his third solo album, Museum Day, due out on October 27.

 

Set against the lyrical backdrop of the Big Apple, Between Us unfurls with Girelli’s trademark lush vocals, stirring intimacy and swooning indie pop wiles, complete with nostalgic 80s elements forged in a fire of modernity. Produced by Lorenzo Wolff, whose previous work spans Taylor Swift and Kanye West, Between Us is Girelli at his buoyant and easy going best, glowing with cinematic charm while lyrically traversing charged passion in his own adopted home of New York, as Girelli reveals, “Between Us is a love story in New York City. A love lost and found again. Distance and return. A love that persists. Yet fighting against it. The fear and curiosity. What awaits? Heartbreak or True Love?”

 

 

 

 

 

Taken from Girelli’s forthcoming new album, Museum Day, Between Us sits amongst 10 dazzling tracks lying in wait, including the album’s previous singles, the smooth and sentimental Museum Day and the hooky fuzz of So Predictable. Ultimately an immersive and affable journey, laden with authenticity and soulful reflection, Museum Day seamlessly extends the foundations laid out by its predecessor, 2022’s Funland, with a noticeably modern injection driving at the core of Girelli’s new outing amongst his signature trademarks. “It’s a more modern sound than Love Kills for sure,” shares Girelli. “In some way it feels like the next step on from Funland. It’s more indie and in a lot of ways more contemporary feeling. Upbeat and in the shadows. Half New York City, half Manchester, England. Stories of moments, stories about people. Stories about lovers.”

 

Inspired by love itself as much as Girelli’s own ardor for the likes of The Smiths, with smatterings of The National, The Drums, Big Thief, Japanese Breakfast and War On Drugs, Museum Day bustles with rosy-cheeked pop (Jane Tells A Lie), swooning ballads (Swim, Real Love) and ambient heartbreakers (Nobody), like a modern-day Roy Orbison strolling through a Hollywood romance. Tirelessly helmed by Girelli’s effervescent yet stirring vocals, soaring into the heavens on the outro for Between Us and diving into woozy calm on I Tried to Love You, Museum Day ultimately draws to a close on a stripped-back note, with New York Rain beautifully capturing the essence of Coyle Girelli’s magic: reflection, romance and riveting storytelling that places you directly into the moment alongside Girelli himself. And while the overall album is an elegant and expertly crafted affair, the road to creating Museum Day was unexpectedly swift amongst other plans, as Girelli elaborates, “I wrote and recorded this album in a very short time, a matter of weeks really at the start of the year. I’d written what I thought was an album. Then I wrote Museum Day. I scrapped the album I had planned, and in the weeks following wrote and recorded a whole new one. Which is what I’m releasing. I purposely didn’t overthink or analyze it. I let it write itself. Tell its stories. My job was to not overcomplicate it or get in the way.”

 

Recently enamouring with his sophomore album, Funland, in 2022, Girelli’s musical magic as a solo artist first unveiled via his debut full length album, 2018’s Love Kills. A gifted songwriter, storyteller and creative cauldron, Girelli has also found himself hotly in demand over the years as both a songwriter and producer for multiple artists, including work with BTS, Macklemore, Robin Schulz, Westlife and more. A multi-instrumentalist who has also turned his hand and voice to musical theatre along the way, Girelli’s previous releases have been repeatedly hailed as masterpieces by the likes of Rolling Stone Australia and countless others; a fact that is witnessed once again on Museum Day and tantalizingly in the near future for Girelli’s upcoming projects.

 

Set to perform an immersive theatre musical show called True Love Forever in New York next year, Girelli’s star is set to boundlessly continue to rise, with the talented English-born, New York-based artist already working on a follow up to Museum Day to bless 2024’s timeline even further. And it’s ultimately the free-flowing approach that Girelli adapted while crafting Museum Day that is set to shape and solidify any and all of his future releases, as Girelli concludes, “It was very fulfilling creating in this space. In flow. I’m going to try do the same thing with my next album. Makes life easier as well when you’re not over-analyzing every little detail. Let the songs do their thing. I really let my instinct lead the way on this one. It feels fresh and true.”

 

 

Between Us is out now!

Museum Day is due out Friday October 27.

 


 

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YIRRMAL RELEASES INSPIRATIONAL NEW SINGLE “KEEP ROLLING ON” CELEBRATING INDIGENOUS RESILIENCE AND RECONCILIATION

YIRRMAL RELEASES INSPIRATIONAL NEW SINGLE  “KEEP ROLLING ON” CELEBRATING INDIGENOUS RESILIENCE AND RECONCILIATION

YIRRMAL

RELEASES INSPIRATIONAL NEW SINGLE

KEEP ROLLING ON

CELEBRATING INDIGENOUS RESILIENCE AND RECONCILIATION


Renowned Indigenous Australian artist Yirrmal is set to captivate audiences again with his latest single, “Keep Rolling On.” The song, written by Yirrmal and Neil Murray, is a powerful anthem of strength and resilience that highlights the enduring spirit of First Nations peoples. The music video, beautifully shot by Patrick de Teliga and renowned fashion photographer Simon Upton, showcases Yirrmal’s personal journey to date in a candid and unassuming behind the scenes reveal.

 

 

 

 

 

“Keep Rolling On” is a testament to Yirrmal‘s remarkable storytelling abilities and deep connection to his Yolŋu heritage. The song’s heartfelt lyrics convey a message of hope, determination, and unity, while the stirring melody and Yirrmal‘s soulful vocals transport listeners on an emotional journey.

 

Yirrmal, a proud Yolŋu man from North-East Arnhem Land, has always used his music as a platform for social change and reconciliation. With “Keep Rolling On,” he continues this tradition, aiming to inspire and uplift both Indigenous and non-Indigenous communities alike.

 

Yirrmal shared his thoughts on the track, saying, “I believe music has the power to heal and connect people. ‘Keep Rolling On’ is my way of sharing our stories and celebrating the incredible strength of Aboriginal and Torres Strait Islander peoples. It’s a song about resilience and hope, and I hope it brings us all closer to reconciliation.”

 

Having already wowed festival-goers at this year’s Darwin, Bluesfest and Woodford Folk Festivals, audiences were left enchanted and deeply moved by Yirrmal‘s charismatic and powerful performances, solidifying his reputation as a musical force to be reckoned with.“Yirrmal kicked off his second Bluesfest performance with a new single and impressive acapella notes. Backed only by delicate guitar melodies, his incredibly powerful high range made for a near-religious experience, easing the crowd into a more energetic second number and beyond. Brass and backing harmonies filled out the sound, buoyant with the energy of everyone else on stage,” raved The Music.

 

Yirrmal‘s singer-songwriting prowess is a testament to his passionate outlook and profound connection to his land and ancestry. Through his unapologetic and authentic storytelling, Yirrmal masterfully weaves together tales of love, reflection, and the rich cultural heritage of Indigenous peoples.

 

 

 

KEEP ROLLING ON” is out NOW on all streaming services.


 

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GOLD COAST INDIE ROCKERS CHAVEZ CARTEL ‘NO ONE’S WATCHING OVER’

GOLD COAST INDIE ROCKERS CHAVEZ CARTEL ‘NO ONE’S WATCHING OVER’

GOLD COAST INDIE ROCKERS

CHAVEZ CARTEL

NO ONE’S WATCHING OVER


With hazy propulsions and billowing soundscapes, the new single No One’s Watching Over out now from the Gold Coast’s Chavez Cartel is a cool, calm and deeply collected outing, shifting tack slightly from the group’s earlier 2023 EP Man’s Best Friend, but still undeniably Chavez Cartel. Also accompanied by a new music video, complete with an imposing mansion and sharp aesthetics, No One’s Watching Over amalgamates the building blocks of Chavez Cartel’s sonic DNA while also building towards a new EP release in 2024. Unfurling as an effortless and authentically charming journey, No One’s Watching Over will also undoubtedly be a fixture on the band’s setlist at The New Colossus Festival in 2024 following their invitation to perform at the event in New York next year.

 

 

 

Amongst its woozy guitars, driving beats and creamy vocals No One’s Watching Over revels in moody aesthetics and harder-hitting moments. Like a modern jolt merged with The Velvet Underground & Nico, No One’s Watching Over’s origins quickly evolved during a well-timed jam session, with the hypnotic track seamlessly flexing the band’s trademark HBO soundtrack-worthy swoon alongside themes of feeling lost in the moment, as the band explain, “No One’s Watching Over is about feeling lost and having a fair assessment of where you’ve gone wrong in life (and right) to get you to where you currently stand. It’s about being harsh but being fair. It’s about being held accountable but accurately accountable. It’s not about getting to the answers though. That stage where we have more clarity comes after this song. This song is about the feeling of going round in circles when we don’t know what to do with ourselves. It’s the first step towards repair but we can’t even see that yet. The hazy sounds of the song really do paint the picture so well of the hazy feeling of not feeling all there. The song was written in a time of self-work after a heavy break up.”

 

Teaming up once again with ARIA Award-winning producer Govinda Doyle to bring No One’s Watching Over to life, Chavez Cartel also sought to actively step beyond their comfort zones when it came to creating the perfect accompanying video for their latest release, pursuing more artistic territory with Direct Entertainment’s Anthony Brown at the helm of the band’s creative vision. And fluidly balancing the old with the new, the band’s team and lack of creative barriers proved to be the pivotal spark to lead Chavez Cartel into this new chapter. Govinda Doyle did everything that we could not,” says the band. “We worked together on our last record, and we started to feel things changing for us and we want a lot more of the same. ‘Don’t fix what isn’t broken’ as they say. We also wanted a more arty video than anything we’d done previously, relying less on performances and making it more of an artistic introduction of the band. We hired the perfect location while we were away on tour earlier in the year – a really old mansion full of art, history, books and character, and the storyboard just sort of wrote itself. Once AB, our video guy, had familiarised himself with the property, we just let him do his thing. All we did was dress accordingly and get drunk on set. He did the rest. We always try to give our collaborators as much freedom as possible so that they can get into the project as if it were their own. I mean technically it is their own, so once we’ve outlined the concept and explained our style, we really do just hand the rest over. It’s important for creatives to be authentic and have their stamp on things, otherwise what’s the point?”

 

Releasing two EPs in 2019, Lucky Lucky and Confidence Is All I’m Taking Home, Chavez Cartel bunkered down during the pandemic years, turning their gaze and full focus into sharpening their sound and songwriting. The end result was their 2023 EP release Man’s Best Friend, which was unveiled after the group signed with End Of The Trail Records. Following Man’s Best Friend, Chavez Cartel embarked on an extensive East Coast headline tour, with 2023 also finding the group supporting The Reytons for their What’s Rock N Roll Australian Tour, as well as their first ever UK show, ticking off headline shows in Sheffield, Barnsley and Rotherham alongside performances at The Great Escape Festival in Brighton and at the End Of The Trail Creative Showcase in London.

 

 

 

 

Gaining support from BBC Radio while across the pond earlier this year, Chavez Cartel have also recently appeared at Rockhampton River Festival, as main support for The Delta Riggs, and will trek back overseas in 2024 after being officially invited and scheduled to play at The New Colossus Festival in New York next March. And for Chavez Cartel, the prospect of another imminent international adventure is one that affirms that the sky is the limit for this talented Gold Coast collective. It was sort of like a before and after moment in our career thus far,” shares the band. “Looking back, before that UK tour, we were half the band we are now, and we owe it all to the vital experiences that tour gave us. There’s something really boosting about getting on planes and being received well at the other side of the world for doing your thing. The top up of self-belief and surety we got from that tour was an acceleration that we’ve never felt before; or at least not at the pace we felt it. It just goes to show that there are some things you just have to do to move forward, and that first international tour was one of those for us. Playing at a showcase event too was great for us because it wasn’t just new fans that we picked up, industry personnel also bought into us which again gave us more confidence in what we are doing. It’s like if the moguls see potential then it adds to the argument that there’s a career to be had here. We picked up some New York connections which shows as the next showcase event we were invited to play at happened to be in New York. Funny how things work out, isn’t it? A band from Gold Coast playing shows around London and picking up festivals in America. What a ride!”

 

 

CHAVEZ CARTEL – UPCOMING TOUR DATES:

6-10 MARCH 2024 | THE NEW COLOSSUS FESTIVAL | NEW YORK, USA | 21+
Tickets available from Dice.fm

No One’s Watching Over is out now.


 

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RADICAL SON SHARES MAGNETIC NEW SINGLE ‘UNTIL YOU CALL MY NAME’

RADICAL SON SHARES MAGNETIC NEW SINGLE ‘UNTIL YOU CALL MY NAME’

RADICAL SON

SHARES MAGNETIC NEW SINGLE

UNTIL YOU CALL MY NAME’


A magnetic meeting point of shimmering soul and beauty, the new single Until You Call My Name out now from Radical Son is a striking ode to gratitude and the power of love. A goosebump-inducing moment in time from the revered Kamilaroi artist with Tongan heritage, Radical Son will bring his new track as well as his forthcoming album Biliyambil (The Learning) to vivid life at the Sydney Opera House supporting Emma Donovan on October 20, as well as 2024’s National Folk Festival.

 

Produced by Andrew Robinson, Until You Call My Name is a proud, calm, yet stirring outing from Radical Son, aka David Leha, inspired by its producer Robinson as well as Marcus Longfoot and Darkinjung local Phil Bligh. With humid percussion, bright piano and the emphatic, immersive vocals of Radical Son himself, Until You Call My Name flourishes in its beautifully-crafted simplicity, beating at its core with the magic sparked between Radical Son’s work with Robinson and Longfoot at Full Circle Audio in Redfern, alongside Wantok Music. And for Radical Son, Until You Call My Name holds a special place in his heart, as he explains, Proud of this piece. Of all the works that I have created, it’s one of my favourites.”

 

 

Another taste of Radical Son’s highly anticipated sophomore album Biliyambil (The Learning) which is set for release in early 2024, Until You Call My Name is a poignant yet powerful ode to finding happiness in moments of chaos, with Radical Son’s commanding vocals soaring above an ambient glow, declaring “I hear you call my name / Wanting to engage / We’re all finding our way / We’re coping with the struggle”. And in a world consistently divided and full of unrest, Until You Call My Name offers a calming balm as well as a timely reminder to look for what matters most in the darkness, as Radical Son shares, For those divided and lost, pulled or drawn in many directions both externally and internally. I’m mindful that we are all finding our way and that as hard as it may sometimes be just getting by in life, it is my hope that we find a way to live life, to love.”

 

One of the mightiest and most compelling artists in the Australian cultural scene, Radical Son channels his experiences from his challenging past into immense power and resolve, with his trademark sound burgeoning with the urgency of hip hop and emotionally-charged soul, as witnessed by these new songs, and his first full length album 2014’s Cause N’Affect. A festival favourite, cemented recently by his show-stopping cover of his mentor Uncle Archie Roach’s Walking Into Doors, Radical Son has performed to standing ovations at Bluesfest, St Kilda Festival, VIVID, the AFL Dreamtime 2032 game, and the official Uncle Archie Roach memorial in Melbourne in 2022.

 

 

 

 

A highly-skilled concert artist, with performance with classical ensembles and high-profile collaborations under his belt with David Bridie, Emma Donovan, Frank Yamma, Lady Lash, Mau Power and Deline Briscoe, Radical Son’s artistry also expands to film and TV, with credits including Defining Moments, a six-part NITV documentary exploring life-defining experiences, and theatre work, including the lead role of Pemulwuy in I am Eora at the 2012 Sydney Festival.

 

Studying as a musician at The Eora Centre for Visual and Performing Arts in Redfern, as well completing a Bachelor of Music from Newcastle Conservatorium, Radical Son’s creative prowess is only matched by his otherworldly stage presence that equally transfixes and transcends with authenticity and sheer, compelling power. Cultivating his transformational life into his place as a bright fixture on Australia’s cultural landscape, Radical Son’s moving soul vocals and unique flair only strengthen with time, potently witnessed today via Until You Call My Name. And with an appearance on the horizon over the Easter weekend in 2024 at the National Folk Festival, a hub for the Australian folk community, as ever, magic is guaranteed when Radical Son takes the stage.

 


 

FRI 20 OCT | SYDNEY OPERA HOUSE WITH EMMA DONOVAN, SYDNEY, NSW

Tickets available from https://www.sydneyoperahouse.com/birthday-festival/emma-donovan

 

THURS 28 MARCH – MON 1 APRIL | NATIONAL FOLK FESTIVAL, CANBERRA ACT

Tickets available from https://www.folkfestival.org.au/

 

 

 

 

Until You Call My Name is out now via Wantok Musik and distributed by MGM.

 


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