QUINNY ANNOUNCES AFFECTING NEW SINGLE AND VIDEO ‘SETTLERS’

QUINNY ANNOUNCES AFFECTING NEW SINGLE AND VIDEO ‘SETTLERS’

QUINNY

ANNOUNCES AFFECTING NEW SINGLE AND VIDEO ‘SETTLERS


Scottish-born, Melbourne-based artist Quinny weaves warmth into wistful, driving indie folk via his brand new single Settlers out in the world today. Previously renowned for his tongue-in-cheek Christmas sonic creations, as well as strangers frequently mistaking him for Ed Sheeran in public, Quinny’s brand new single showcases his absorbing creative flair, as does the accompanying video for Settlers also out today.

 

 

 

 

 

Penned in rural Maine in America during 2022 alongside friends Marie Collins (The Vegan Leather) and Hannah Daman, Settlers was given its finishing touches courtesy of Graham McCusker, a composer for BBC’s His Dark Materials and lead artist in Glasgow/Manchester bands KAZE and Marouli. Recording in Scotland with Robin Evans (Dodgy & The View), Settlers embraced many of Quinny’s musical muses while also capturing the poignant heartache that accompanies disappointment, as Quinny elaborates, “This song is about confronting those you rely on most when they have let you down. There’s a sort of stadium-folk feel to it. I wanted to have big chords, but also some delicate verses. If you listen to the piano, you’ll hear a bit of Sigur Rós influence, and I like to think I go a bit Billy Corgan at the end too.”

 

Featuring Quinny himself, aka Peter Quinn, on vocals, guitar and bass, Settlers also incorporates Graham McCusker on piano and vocals, Martin Tormey on drums and vocals, Marie Collins on vocals, Hannah Daman on vocals, Martin Quinn on vocals, and additional production by Nathan Cable. Also amplifying the track’s compelling subject matter and instrumentation, the visual accompaniment for Settlers features a relatable narrative, with director and filmmaker Conor Reilly working alongside Quinny and the clip’s actors Martin Quinn and Stephan Buchanan to bring the Settlers creative vision to life, along with some stunning landscape visuals shot in Quinny’s home country. “The video is about anxiety,” shares Quinny. “It features a young man going about his daily business, constantly being interrupted by someone else – a manifestation of his woes. He tries to just ignore it, until finally starting to take some action and getting out and about in the Scottish Highlands. Because of the nature of the sound, I thought some wide shots of Scottish mountains would be quite fitting, and it’s worked really well. Martin and I workshopped the concept and story with a few people before landing where it did. After a point, I left Martin to it as he was on a roll! Originally, the video was set to a different song from the album, No Place to Die, but after a few edits, it was clear Settlers was the right choice.”

 

 

A talented singer and songwriter hailing from Scotland, Quinny’s musical endeavours has seen him fuse his burgeoning flair alongside his four influential B’s, namely Biffy Clyro, Blink-182, The Beatles and Bombay Bicycle driving behind Quinny’s ultimate trademark sound. With tours in the UK and North America under his belt, the multifaceted creative shifted to Melbourne in early 2020, with his newfound hometown sparking creative excitement in true rock’n’roll fashion. “I love it, honestly,” says Quinny of the Melbourne music scene. “Compared to Glasgow and London, Melbourne has remained rock’n’roll through and through. Less bands with backing tracks and more bass players jumping into the crowd at a packed out 100 cap show.”

 

Alongside performances headlining shows at The Gazo, Last Chance, Retreat and Fitzroy Pinnacle in Melbourne, Quinny also won the 2020 Darebin Songwriters’ People’s Choice Award shortly after moving down under for his single Found & Lost. Described by Tenement TV as “an enthralling mix of the raucous and sentimental with witty lyricism and poppy charm”, Quinny had spent the past few years releasing older material and flippant Christmas songs, with One Foot In The Grave’s Richard Wilson making an appearance in one of Quinny’s Christmas videos.

 

Set to perform at Fitzroy Pinnacle on Tuesday August 15 armed with his latest track, the brand new Quinny chapter is already shaping up to be one to remember. “Generally, at my live shows I talk too much! I saw Georgia Knight at the Forum supporting Blonde Redhead recently and she hardly talks…I aspire to be that cool,” Quinny concludes. “No one can understand what I’m saying anyway. This will be the first outing for a few of the songs of my upcoming album, so I’m looking forward to starting to get them on their feet with the full band. If nothing else, the backing vocals will be amazing; Estelle and Naomi always do such a great job.”

 

 

 

Settlers is out now.

 

QUINNY – UPCOMING SHOW:
THU 15 AUG | FITZROY PINNACLE, FITZROY NORTH VIC | 18+
Tickets available from Oztix


 

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CHAVEZ CARTEL SHARE HYPNOTIC NEW SINGLE + VIDEO UNFAMILIAR BOY

CHAVEZ CARTEL SHARE HYPNOTIC NEW SINGLE + VIDEO UNFAMILIAR BOY

CHAVEZ CARTEL

SHARE HYPNOTIC NEW SINGLE + VIDEO UNFAMILIAR BOY


A hypnotic blend of grit and post punk narcosis, the brand new single Unfamiliar Boy out now from Gold Coast five-piece Chavez Cartel is a woozy yet powerful continuation of the group’s trademark sound, serving up simmering intensity alongside a fittingly moody music video also
out now.

 

 

Opening in a stripped-back haze, Unfamiliar Boy soon grows to oscillate between smoky simplicity and raucous choruses, headily driven by the repeated mantra “I wanna change, I need a change / I’m only human after all” and healthy servings of post punk rock. With nods to the psychedelic stylings Iggy and the Stooges as well as IDLES, Arctic Monkeys and Fontaines D.C., Unfamiliar Boy ultimately draws you headfirst into a vivid reflection on the overwhelming rollercoaster that is time, as the band explains, “The song was inspired by a period of time where life seemed to be going really fast and having the feeling where you don’t have time to even think.

 

Like life is slipping through your fingers and you can’t quite grasp what’s really going on. Not a good headspace to be in. There’s a line coming out of the breakdown, “I need to wheel-spin
in the mud, now that the months feel more like weeks”, that paints the mental picture of that feeling. It’s sort of like a plea where I’m going “If my head is going to go round in circles this fast can’t we at least stand still while we’re burning out and overheating so we’re not wasting any more time while we’re doing it?”.

 

Working alongside friend and frequent collaborator Jake Johnson, aka Burning Jacobs Ladder, Unfamiliar Boy firmly captures the live Chavez Cartel sonic potency, with the addition of Spencer Martin on mixing duties also continuing the creative thread in the band’s recent creative journey. “We did this song with a good mate of mine called Jake Johnson aka Burning Jacobs Ladder,” shares the band. “He’s a really great producer, he produces all his own music and he’s had a lot to do with our band over the last few months. He filled in on bass for our US tour and was a really cool addition to the lineup. We wanted to take that tour sound into studio with us and we’ve replicated it quite well. Johnson also engineered All I Know for us as well which is the bonus track on our Red Flag Blues EP. Those songs came out in March (check ‘em out!) Spencer Martin mastered the song for us who is an American mix/mastering engineer based in South Korea. He worked with Johnson a lot on his stuff, so we kept that working relationship going on our song.”

 

Wielding a slick yet gritty aesthetic, the accompanying music video for Unfamiliar Boy balances performance visuals along with punctuated shots of New York, resulting in a journey that feels simultaneously intimate yet perfectly curated, with all the featured visuals filmed by Brooklyn-based videographer Katie Oliver during the band’s recent North American visit. “The video was filmed by Katie,” the band shares, “It was all filmed on our New York leg of the US tour. She followed us around and hung out with us while we were playing over there and covered all our shows. She’s a real cool cat and came out partying with us and showed us round the city a bit too. It’s all there in the video. The video has a bit of a gritty/grungy tour documentary sort of vibe which is exactly what we wanted for this song. It’s more of an intimate live diary sort of feel as opposed to our previous production heavy music videos. Chavez Cartel in New York City. I still can’t get over it. Proud accomplishment.”

 

Releasing two EPs in 2019, Lucky Lucky and Confidence Is All I’m Taking Home, Chavez Cartel bunkered down during the pandemic years, ultimately turning their gaze and full focus into sharpening their sound and songwriting. The end result saw the band sign with End Of The Trail
Records and release their 2023 EP Man’s Best Friend, before embarking on an extensive East Coast headline tour, supporting The Reytons on their What’s Rock N Roll Australian run, tour as main support alongside The Delta Riggs, and tick off their first ever UK performances, including headline shows in Sheffield, Barnsley and Rotherham, along with performances at The Great Escape Festival and at the End Of The Trail Creative Showcase in London.

 

 

 

In 2024, Chavez Cartel took off overseas once again, performing at The New Colossus Festival in New York as well as at SXSW in Austin, Texas, with both experiences broadening the global reach of this talented Gold Coast group. A band undeniably on the rise and one absolutely not to be missed, Unfamiliar Boy is the beginning of a phenomenal new chapter for Chavez Cartel; and following an extremely busy 12 months on the road, the band are raring to reveal even more new music to the world in the not-too-distant future, as they conclude, “It feels like we’re back to business. Whenever we get back off touring it always feels like we’re doing nothing because the pace is so slow compared to life on the road.

 

Of course, we never stand still, but the change of intensity is always disheartening. It feels like we’re working again now. We’re still in the studio finishing off a second song which will be the follow up single to Unfamiliar Boy. It’s a real change of pace for us but it’s a really beautiful track. We played it live once in Byron Bay a couple of years ago and it was received really well. We don’t often get chance to perform any stripped-back songs, but Byron is a hippy town and we dropped it at a small venue down there. It was quite magic, so we’re really happy to be digging this one out and getting it laid down. It shows our versatility as writers. Stay tuned for more to come.”

 

 

Unfamiliar Boy is out now.

 

 


 

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HOTTER THAN HELL SET TO RETURN IN OCT/NOV FEAT. REGURGITATOR / LESS THAN JAKE / UNWRITTEN LAW / JEBEDIAH / LITTLE BIRDY & MORE

HOTTER THAN HELL SET TO RETURN IN OCT/NOV FEAT. REGURGITATOR / LESS THAN JAKE / UNWRITTEN LAW / JEBEDIAH / LITTLE BIRDY & MORE

HOTTER THAN HELL

SET TO RETURN IN OCT/NOV

FEAT. REGURGITATOR / LESS THAN JAKE / UNWRITTEN LAW / JEBEDIAH / LITTLE BIRDY & MORE


Grab a pair of Vans and your best mates and get set for some classic summer festival vibes like the good old days; this October and November, the hottest ticket in town will be Hotter Than Hell, with the Aussie festival celebrating all things rock returning later this year for a monster 2024 edition with one stage, no clashes and affordable prices with tickets from $85. Bringing the old-school vibes off the beaten track to outdoor venues in Western Australia, Victoria, South Australia and Queensland, Hotter Than Hell will feature unforgettable performances across five days from familiar and new favourites, including the likes of Regurgitator, American icons Less Than Jake (performing in SA and QLD only) and Unwritten Law (performing in WA and VIC only), along with Jebediah, Little Birdy, The Bennies, Adalita, and The Kickons. Once again bringing a monstrous lineup truly blessed by the rock gods down under, Hotter Than Hell is here to kick off summer festival season with a bang!

 

From just $85, tickets for Hotter Than Hell go onsale to the general public on Wednesday July 24 at 12pm local time from hotterthanhelltour.com.au, fans can register for presale tickets now from hotterthanhelltour.com.au, with the presale kicking off Monday 22 July at 12pm local time.

 

An undisputed and unstoppable force on the Aussie alternative landscape, Hotter Than Hell’s 2024 headliners Regurgitator need very little introduction. Forming in Brisbane in the early 90s, the group have gone on to take home multiple ARIA Awards, tour the globe across Australia,
New Zealand, Japan, the UK, Europe, North America, Asia and the Middle East, playing with Weezer, Red Hot Chili Peppers, The Prodigy and Silverchair, and obliterate festival stages, from the iconic days of Big Day Out through to their recent appearance as part of 2022’s Good Things
Festival. Armed with ten studio albums under the Regurgitator moniker, including their groundbreaking 1996 debut album Tu-Plang, through to their recent 2024 opus Invader, Regurgitator remain a cultural force to be reckoned with.

 

Boundlessly inventive, and armed with everything from rock, rap, funk, and thrash (and even a kid’s album for good measure), Regurgitator’s live show remains to this day as infamous as their genre-defying earworms; and Hotter Than Hell was the perfect lure to get the band back on Aussie stages again, as the band share, “We were pretty set on taking a decent break after the high paced energy of making our latest album INVADER. As we rolled along over this great land and saw how much you poured your hearts into enjoying our Invasive tour performances, the Hotter Than Hell folks reached out wanting us to continue the momentum for another run of their festival dates end of year. We took a deep breath and said what the hell… let’s keep the heat on eleven. Great lineup, and great locations… one more run around the continent this year. So here we go, thick and fast as we rampage into another summer season… and it just gets hotter every year!”

 

Set to perform at Hotter Than Hell in South Australia and Queensland this year, Florida ska rockers Less Than Jake have unleashed nine studio albums, ticked off performances at Warped Tour, Hellfest, and When We Were Young, and performed with NOFX, Bowling For Soup, MxPx and New Found Glory. With a legion of global fans and a sweltering streaming presence, including 59+ million individual streams and counting for their smash single All My Best Friends Are Metalheads on Spotify alone, Less Than Jake are also revered for their enigmatic live shows, where you’re guaranteed to head home with their infectious songs ringing in your head and a smile plastered on your face.

 

Recently releasing a new single Broken Words, Less Than Jake will be down under for their headline run kicking off in October alongside their Hotter Than Hell appearance, set to play Hello Rockview in full, and all their hits. “Can’t believe it’s been six years since we’ve partied with our friends down under! Way too long!” shares Less Than Jake’s Matt Yonker. “Australia is one of our favourite places to play. Other than just being a beautiful place to visit, I’m always amazed at how attractive the people are down there, must be the water! We also all appreciate just how on point the coffee game is. No joke, you get an A+ on coffee consistency, I’m not sure I’ve ever had bad coffee there! Aussie audiences easily hang with the rest of the world. I think they may even be a touch crazier. And that’s a compliment, I’m really looking forward to the mayhem.”

 

Exclusively performing in Western Australia and Victoria this year as part of Hotter Than Hell, punk rock mainstays Unwritten Law emerged onto the scene in the early 90s welding classic punk with melodic hardcore elements. Finding chart and global success via their breakthrough
1998 self-titled record, Unwritten Law have since released seven full-length albums, toured extensively at home and abroad, including as part of Warped Tour, and generated millions of streams and video views along the way. Having only toured one other country more times than
Australia (their own), it’s no stretch to declare Unwritten Law as genuine honorary Aussies, with the group hitting our shores repeatedly since 1996. And 2024 certainly won’t be Unwritten Law’s first Hotter Than Hell rodeo, as the band shares, “With the last Hotter Than Hell being the
last tour we did before the world shut down, it holds a special place in our hearts. We’re thrilled to come be a part of it again! We’ll be playing the Black album in full and that’s always been a good time. What’s not to love about Australia? Grab some twisties, get a pub feed, down a VB and have a surf! Honestly though, we love the people. It’s no joke that it’s our second home. We even have a full-blooded Aussie in our band now! We just feel so accepted in the culture, it’s a crazy thing to have that kind of connection to someplace that’s so far away from where we’re from. Music is magic.”

 

For any Australian of a certain vintage, the name Jebediah likely conjures memories of endless summers and riff-soaked good times in the 90s, stemming from the band’s explosive shift from Perth teenagers to an integral part of the fabric of Australian rock’n’roll. Immediately snatching attention with their 1996 hit Jerks of Attention, the group swiftly cultivated heavy airplay on triple j and ticked off performances at both Homebake and Big Day Out, before solidifying their legendary status with their debut studio album Slightly Odway, boasting the beloved anthem Leaving Home. Appearing at all five Hotter Than Hell events later this year, Jebediah will also arrive armed with their hit new 2024 album OIKS.

 

Storming onto the Aussie alternative radar back in the early 2000s, Perth rockers Little Birdy packed a punch throughout the decade, including three albums, 2004’s BigBigLove, 2006’s Hollywood, and 2009’s Confetti, five ARIA Award nominations, and tours with R.E.M and onstage at Falls Festival, Big Day Out and Great Escape Festival, while their gutsy pop and rock fare also tickled the alternative airwaves with gusto, particularly via singles Relapse, Beautiful to Me and Tonight’s the Night. Also primed to perform at all five of the Hotter Than Hell editions this October and November, this will mark the Little Birdy’s first return to a festival stage in well over a decade, with BigBigLove set to be performed in its entirety! “It’s been a long time since we played those youthful songs as a band so we are all excited by the idea of revisiting them,” shares Little Birdy vocalist and guitarist Katy Steele. “I also love the concept of us playing the record in its entirety. These shows should be so much fun!”

 

A psychedelic storm of reggae, ska, and beyond, The Bennies have been brandishing their boisterous wares since the release of their 2011 debut album Party! Party! Party!. A band who certainly knows how to get the party started in any setting, The Bennies kicked off 2024 supporting TISM in Frankston, Victoria, with the group locked and loaded to perform at Hotter Than Hell in Gepps Cross, Townsville and Brisbane this October and November. Renowned for their voracious live energy and an adoration for genre-defiance, there ain’t no party like a The Bennies party; strap in and enjoy the ride.

 

Founding member of Australian rock royalty Magic Dirt and an all-round Aussie icon, Adalita will be wowing Hotter Than Hell fans in Mt Evelyn, bringing her acclaimed solo work to the stage this October. With her highly respected solo career launching in 2011, Adalita has gone on to support Blondie and The Pretenders and also perform for His Holiness The Dalai Lama, with her most recent 2022 solo album Inland showcasing her enduring songwriting prowess and magnetic delivery.

 

Hailing from Perth, indie pop rockers The Kickons channel raw authenticity into their sonic creations. Releasing their new single In the Cold earlier this year, the group wield a formidable social media following, with 3.2 million likes on their TikTok channel alone, and their live shows
also proving to be nothing short of a cathartic experience. The Kickons will appear at Hotter Than Hell this year in Dunsborough. “This is our first big festival, and to be on the Hotter Than Hell lineup is just unreal,” shares The Kickons. “We can’t wait to get out there and show everyone what we’ve got.”

 

Taking place in areas often not tread by touring routes or destination festivals, Hotter Than Hell is ultimately flying the flag for glory days of Homebake and Livid, summer fun and best mates once again with a truly scorching lineup in 2024.

 

Tickets for Hotter Than Hell go onsale to the general public on Wednesday July 24 at 12pm local time from hotterthanhelltour.com.au.


 

HOTTER THAN HELL 2024

Tickets available from hotterthanhelltour.com.au
SAT 12 OCT | DUNSBOROUGH TAVERN, DUNSBOROUGH WA | TICKETS
Featuring: Regurgitator, Unwritten Law (US), Jebediah, Little Birdy, The Kickons

SAT 19 OCT | YORK ON LILYDALE, MT EVELYN VIC | TICKETS
Featuring: Regurgitator, Unwritten Law (US), Jebediah, Little Birdy, Adalita

SAT 26 OCT | COOPERS ALEHOUSE, GEPPS CROSS SA |TICKETS
Featuring: Regurgitator, Less Than Jake (US), Jebediah, Little Birdy, The Bennies

SAT 2 NOV | KIRWAN TAVERN, TOWNSVILLE QLD | TICKETS
Featuring: Regurgitator, Less Than Jake (US), Jebediah, Little Birdy, The Bennies

SUN 03 NOV | CHARDONS CORNER HOTEL, BRISBANE QLD| TICKETS
Featuring: Regurgitator, Less Than Jake (US), Jebediah, Little Birdy, The Bennies

 


 

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IRISH BAND THE CORONAS DROP NEW SINGLE + ANNOUNCE AUSTRALIAN TOUR

IRISH BAND THE CORONAS DROP NEW SINGLE + ANNOUNCE AUSTRALIAN TOUR

IRISH BAND

THE CORONAS

DROP NEW SINGLE + ANNOUNCE

AUSTRALIAN TOUR


 

A stirring new single from Dublin’s finest The Coronas, That’s Exactly What Love Is blends the trio’s knack for poignancy and indie pop and rock in charming fashion, with the group’s friend and collaborator Gabrielle Aplin also featuring on this latest release. The second single taken from The Coronas’ upcoming eighth studio album, Thoughts & Observations due out on Friday September 27, That’s Exactly What Love Is also arrives today accompanied by a brand new music video, with the track also destined to feature in the trio’s upcoming Australian live shows this November.

 

Opening with the beautifully wistful vocals of frontman Danny O’Reilly, serenely crooning “I’ll start with sorry / And please believe me / Kills me to see you cry”, That’s Exactly What Love Is burgeons as Alpin’s crystalline vocals fuse with O’Reilly into a heart-rending duet, echoing at times the sublime collaboration from Peter Gabriel and Kate Bush on the track Don’t Give Up.

 

Driven by the group’s trademark pensive pop and mature songwriting with a modern twist, That’s Exactly What Love Is reflects its vulnerable lyricism through astutely simplistic instrumentation
and warm tones, and the end result is ultimately one of hope rather than misery; a fact which carries across the broader upcoming album Thoughts & Observations. “Thematically, the album deals with love, loss and growing older,” shares The Coronas. “It’s possibly us fully embracing our man-band status. After seven albums we’re probably a little more cynical now than we were when we started! In saying that there’s still an optimistic feel to this album that The Coronas albums tend to have.”

 

Filmed in Glastonbury with longtime videographer and The Coronas friend Johnny Stewart (Hozier, Kodaline, Gavin James), the accompanying music video for That’s Exactly What Love Is effortlessly mirrors the track’s moving thematics, with the clip, filmed at a picturesque field near Glastonbury Tour. “That’s Exactly What Love Is was the first song I wrote after our last album came out,” vocalist Danny O’Reilly reveals. “I wrote it as a conversation between two people going through a breakup, and as soon as I wrote the female part, I had Gabrielle in mind to sing
it. In fact, I bumped into her at a festival a week after I wrote it. I immediately told her about the song and, over a year later, it was amazing to have her in studio bringing her own character to the song. She’s so talented and professional she blew us away when she came to London to record her part.”

 

 

 

 

Teaming up with longtime collaborator and Grammy Award winner George Murphy (Mumford and Sons, The Specials, Ellie Goulding), The Coronas inject a gamut of captivating moods and emotions throughout Thoughts & Observations, with their powerful and melodic eighth studio outing ultimately taking an incisive look at life, relationships and art. Alongside the talent and chemistry at the core of each member, with O’Reilly on vocals, piano and guitar, Graham Knox on bass, and Conor Egan on drums, Thoughts & Observations also embraces the talents of The Coronas’ touring supergroup, boasting Lar Kaye (All Tvvins) on guitar, Cian MacSweeney (True Tides) on saxophone, and Roisin O on backing vocals.

 

And balancing moments of delicacy with soaring anthems, Thoughts & Observations captures The Coronas unbridled authenticity and passion, with the album originating not long after 2022’s Time Stopped had released into the world. “We’re so excited to be sharing new music,” says the band. “To be honest we didn’t really take a break after the last one, as soon as the touring and promotion of Time Stopped slowed down, we were already working on Thoughts & Observations”

 

In the ever-evolving landscape of the modern music industry, The Coronas have continued to independently thrive without sacrificing their creative vision along the way. A multi-platinum group who can claim supporting Bruce Springsteen in Hyde Park, playing for President Biden,
and a burgeoning global fanbase, The Coronas’ last three albums also went straight to #1 in the Irish Charts, with recent sold out tours in their wake spanning North America and Australia further showcasing the trio’s successful and ever-growing legacy.

 

Renowned for their magnetic live shows, having also been previously voted as the #1 Live Act of the Year by Hot Press, The Coronas have been headlining their own shows and festivals in Ireland for almost 15 years, with their regular Christmas performances at The Olympia Theatre in Dublin becoming the stuff of legend. And set to return to Australia this November following their acclaimed down under run late last year, The Coronas will arrive armed with their trademark magic as well as their hotly anticipated album Thoughts & Observations.

 

“Every album we make is with a view to improving our live show,” explains O’Reilly. “We still feel like we have something to say.”

 

 

 

THE CORONAS – THAT’S EXACTLY WHAT LOVE IS – Official single artwork


 

THE CORONAS – UPCOMING TOUR DATES:

THURS 21 NOV | CROXTON BANDROOM, MELBOURNE
Tickets available from https://thecroxton.oztix.com.au/outlet/event/9b2e8104-0fc7-4f60-bf75-65ee6f8aa049

 

FRI 22 NOV | SELINA’S, SYDNEY
Tickets available from https://moshtix.com.au/v2/event/the-coronas/168917?skin=SelinasVenue

 

SAT 23 NOV | MAGNET HOUSE, PERTH
Tickets available from https://tickets.393murray.com.au/outlet/event/2f8576da-c523-4c8e-87dc-e0dcc38b3511

 

 

THE CORONAS – THOUGHTS & OBSERVATIONS – Official album artwork


 

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GAVIN MAC SHARES NEW SINGLE ‘SIDESWIPED’

GAVIN MAC SHARES NEW SINGLE ‘SIDESWIPED’

GAVIN MAC

SHARES NEW SINGLE

SIDESWIPED


A swaggering alt country ode to misadventures, the brand new single Sideswiped out from Sydney-based country sensation Gavin Mac is a slick follow up from Mac’s 2023 trio of singles, Bushfire, Live Your Life and Getaway. Also marking a further glimpse into Mac’s impending debut album, Make You Feel set for release in September, Sideswiped is a crisp outing as well as a meaningful full circle moment for the talented artist.

 

Produced by multi CMAA and ARIA Award winner Matt Fell, Sideswiped welds Mac’s effortless combination of nostalgic country licks, with rock, folk and soul hues linked alongside nods to Chris Stapleton, Eric Clapton, Midland, and John Mayer. Summed up by Mac himself as being “like mechanical bull riding”, Sideswiped evolved from a demo that first drew Mac to the attention of Sony Music Australia as a teenager, as Mac explains, “I first penned, then demoed Sideswiped when I was just 16 years old. The demo helped me capture the attention of Sony Music Australia, who ultimately signed me. By the time the deal was done, I had grown a bit older, and moved to a different place musically, so the song (and I) got shelved. It wasn’t until years later that I dug it out, rewrote it and recorded it properly for the first time, with Matt Fell, and incredible guitarist, Ben Butler.”

 

Teaming up with Grammy Award winner William Bowden on mastering duties, Sideswiped also features Mac’s effortless vocals and earworm choruses along with guitarist extraordinaire Ben Butler (Sting, Bruce Springsteen, Suzanne Vega) on lead guitar, culminating in a track built both for sun-soaked highway road trips and hazy whiskey bars; or, as Mac reveals, to also soundtrack those days where things go from bad to worse. “I love classic cars, so I’m pretty sure there was a subconscious desire to write a song that featured one,” shares Mac. “The story itself though, is one of misadventure mixed with a dollop of bad karma. A bit like something out of a Quentin Tarantino flick, the (fictional character, loosely based on yours truly) has the proverbial day from hell, that starts off a mess and just gets worse, and with every turn. We all have those kinds of days…right?

 

Discovered at the age of 16 by Sony Music’s Denis Handlin and John Watson, Gavin Mac quickly gained the title of being Sony Music Australia’s youngest-ever Australian recording artist at the time. Evolving his music industry skills and knowledge in the years to follow, Mac worked alongside both international and iconic Australian artists, including previous work with Nickelback, Queens of the Stone Age, Linda & Vika Bull, and Alex Lloyd. And from managing A&R duties for Roadrunner Records to stepping back from the industry to raise his family, Mac still kept his creative fires alive, co-founding the award-winning brand experience agency Urban, conceiving and delivering marketing campaigns for Electronic Arts, Airbnb, and Netflix.

 

With years away from music, a fortuitous 2019 road trip to the Tamworth Country Music festival provided the very kindling that would ultimately turn Mac’s gaze firmly back to his passions, songwriting and storytelling, with the Melbourne-hailing singer-songwriter emerging from his musical hiatus with gusto in 2023 balancing renewed purpose, perspective and the powerful drive that comes with unfinished business.

 

In 2023, Mac released his debut solo singles Getaway, Live Your Life and Bushfire, amassing over 300K streams and counting, with 2024 also garnering Mac his first industry nod, taking home the Tamworth Music Association’s 2024 New Songwriter of the Year. Now poised to release his long-awaited debut album, Make You Feel on September 5, Mac’s latest single Sideswiped is the perfect appetiser, providing a full-bodied taste of the dynamic sound and depth of songwriting lying in wait later this year; and there will also be plenty of good vibes in the mix when Mac takes the stage with his new material in Northcote and Waverley in June, as Mac concludes: “I love fans and people who discover me at my shows to feel like they’ve just been invited into a party with their close mates. No egos, lots of chatter and songs you can stomp along to.”

 

 

 

 

GAVIN MAC – UPCOMING SHOWS:

SAT 15 JUNE | THE WESLEY ANNE, NORTHCOTE, VIC | 18+ Tickets available from www.oztix.com.au

SAT 22 JUNE | ROBIN HOOD HOTEL, WAVERLEY, NSW | 18+ Tickets available from www.oztix.com.au

SAT 20 JULY | POST OFFICE HOTEL, TAMWORTH, NSW Free Event, onstage at 4:30pm

 

 

Sideswiped is out now!

Make You Feel is set for release on Thursday September 5.


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MELBOURNE POP POWERHOUSE GREG GOULD RELEASES SEXUAL ABUSE ANTHEM ‘WHO GAVE YOU PERMISSION?’

MELBOURNE POP POWERHOUSE GREG GOULD RELEASES SEXUAL ABUSE ANTHEM ‘WHO GAVE YOU PERMISSION?’

MELBOURNE POP POWERHOUSE

GREG GOULD

RELEASES SEXUAL ABUSE ANTHEM

WHO GAVE YOU PERMISSION?’


Primal, moody and inescapably moving, the powerful new single Who Gave You Permission? out now from Australian powerhouse Greg Gould is a potent blend of pop, soul and searing intimacy. With an accompanying music video slated to land next week, and also set to captivate crowds with his latest release live in action throughout 2024, including onstage at SYNTHONY, Australia’s biggest orchestrated dance party this June, Gould also vigorously tackles exceedingly difficult narrative terrain via Who Gave You Permission? with unwavering finesse and poise.

 

Opening with a melancholic piano line, Who Gave You Permission? swells alongside Gould’s cogent vocals, ultimately building into a formidable primal pop anthem. Equally gripping musically as it is lyrically, Who Gave You Permission? weaves nods to the likes of Benson Boone, Rag’n’Bone Man, Teddy Swims and Sam Smith while also profoundly detailing an exceedingly personal experience for Gould himself.

 

 

 

“To be honest I’m only just starting to feel comfortable to talk about this,” shares Gould. “The first time I performed the song live I burst into tears. I have been a victim of sexual abuse on four separate occasions in all very different circumstances from when I was 10 years old, right up until I was 30. Each time left me feeling so violated, so powerless, paralysed. Nobody has the right to touch you without permission. No means no. It was a very emotional, heart wrenching and confronting experience to write this song to be honest as I’d pushed a lot of those feelings and
experiences down and hadn’t dealt with them – it took a while for me to be ok to admit it. There is a stigma around sexual abuse in general, and I do think it can be really difficult for men who are the victim – whether it be at the hands of another man or a woman. In my case, it was both on separate occasions. I want other men to feel comfortable to talk about this and speak up too.”

 

Seeking to empower fellow survivors through Who Gave You Permission? Gould co-wrote the compelling new single with Benedict, working alongside Gould to unpack his trauma and ultimately pen a connective and sonically robust ode to survival, along with production by Sydney duo Cressbrook, with live strings composed by Ryan Youens. With a striking music video set to accompany this deeply powerful song on April 20, filmed in Gould’s home state, the clip for Who Gave You Permission? flourishes with its sonic elegance alongside poignant visuals to further
amplify the driving message at the track’s core. “The music video features a protagonist moving through an old house,” shares Gould.” As they enter each room, a different storyline unfolds, each scenario reveals as we move back and forth between the rooms. I wanted to highlight that sexual abuse can happen in many forms and in many ways…without over-dramatising or sensationalising it.”

 

A creative cauldron from way back, Greg Gould began singing the moment he could talk; a talent which ultimately followed him to securing the runner up slot at the grand finale of Australia’s Got Talent in 2013. Following his Australia’s Got Talent success, Gould has gone on to generate
millions of streams as well as views of his award-winning videos, perform multiple sold out shows and festivals, tour the globe and ignite charts at home and abroad; and all while continuing to foster and grow an authentic connection with his fans through his heartfelt creations.

From snagging the #1 spot on the iTunes Albums charts via his 2020 album 1998, through to collaborating with En Vogue’s Maxine Jones (“a real pinch me moment”, Gould shares), Gould’s proudest moment to date remains releasing his first-ever self-directed music video, a cover of
En Vogue’s 1996 smash single Don’t Let Go (Love) with the song’s heart wrenching video having amassed an impressive 20 million+ views. Fast-forward to 2024, and Gould has embraced the mixture of excitement, anxiety, nerves and relief to unveil the vulnerable yet hopeful Who Gave You Permission? with the latest track also offering a hint as to what’s to come from Gould’s debut album of original songs, Strings Attached, set for release July 12, including his duet with one of the Philippines’ most successful artists, Morissette called Love It All Out (co-written by Bachelor Girl’s Tania Doko) which recently hit over 1 million views on TikTok. Gould has also written and performed the main song for the credits of a new Australian feature film getting its theatrical release later this year, which is set to debut at the Berlin International Film Festival.

 

Set to perform Who Gave You Permission? at an array of events this April and June, fans can expect to hear Gould’s latest track live in action alongside many other original songs. As to what fans can expect in the not too distant future? “Whether the subject matter is darker or lighter, guests at my shows can expect big vocals, big moments and lot of fun,” Gould enthuses. “I love to perform and I’m excited for the next 12 months! I’ve got big plans and even bigger dreams. I am so proud that Who Gave You Permission? is out now and I’m moving forward both personally and professionally! I would love if even one survivor of abuse feels stronger as a result of hearing this song. I want people to know they are seen, they are heard and they are believed. We won’t be broken.”

 

Who Gave You Permission? is out now.
Strings Attached is out July 12.

 

 

 

GREG GOULD – UPCOMING SHOWS

KEEP THE FAITH – GEORGE MICHAEL & WHITNEY HOUSTON
SAT 13 APR | LOEV, MELBOURNE VIC | 18+
Tickets available from loevmoorabbin.com | All Eventbrite Outlets

GREEK LEGENDS OF THE 20TH CENTURY
SAT 20 APR | STATE THEATRE, SYDNEY NSW | ALL AGES
Tickets available from www.ticketmaster.com.au | All Ticketmaster Outlets

GREEK LEGENDS OF THE 20TH CENTURY
FRI 10 MAY | PALAIS THEATRE, MELBOURNE VIC | ALL AGES
Tickets available from www.ticketmaster.com.au | All Ticketmaster Outlets

KEEP THE FAITH – GEORGE MICHAEL & WHITNEY HOUSTON
SAT 18 MAY | ROYAL BRIGHTON YACHT CLUB, MELBOURNE VIC | 18+
Tickets available from trybooking.com
SYNTHONY
FRI 7 & SAT 8 JUNE | CARRIAGEWORKS, SYDNEY NSW | 18+
Tickets available from www.carriageworks.com.au


 

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CLOE WILDER SHARES ETHEREAL NEW SINGLE AFTERGLOW NEW EP I SPENT MY SUMMER ON THE ROAD SET FOR RELEASE APRIL 19

CLOE WILDER SHARES ETHEREAL NEW SINGLE AFTERGLOW NEW EP I SPENT MY SUMMER ON THE ROAD SET FOR RELEASE APRIL 19

CLOE WILDER

SHARES ETHEREAL NEW SINGLE

AFTERGLOW
NEW EP I SPENT MY SUMMER ON THE ROAD

SET FOR RELEASE APRIL 19


A stunning mix of romance and nostalgia, the new single Afterglow from American singer-songwriter Cloe Wilder is a shimmering modern folk gem, marking an ethereal step closer to the release of Wilder’s impending new EP I Spent My Summer on the Road, set for release on Friday April 19.

 

A folksy ballad soaked in acoustic guitar and dreamy melodics, Afterglow also features glossy vocals from both Wilder and her long-time collaborator NICOLOSI, with the track reminiscent of Bon Iver and Lana Del Rey caught in a gauzy trance. Simultaneously introspective and
wistful with celestial overtones, Afterglow ultimately evolved from a melancholic narrative, as Wilder elaborates, “Escaping from locations is a big theme in my songs, but I also love the concept of leaving someone behind. Afterglow sort of morphed into this story of two people growing apart in the wintertime the understanding that the house has gone cold and there’s no way to imagine what that could feel like until it happens. I absolutely love that visual.”

 

Following on from her debut 2021 EP Teenage Lullabies, Wilder spreads her sonic wings on her upcoming EP, with I Spent My Summer on the Road traversing everything from stripped-back bedroom pop (Little White Pills) to coming-of-age odes (Fake ID), lush indie swoon (Take It In),
folk-hued warmth (Afterglow) and enraptured calm (Five Years). And while still laden with youthful exuberance following the release a few years ago of her debut EP at the age of 14.

 

I Spent My Summer on the Road is a stirring and disarming experience, with Wilder once again
finding magic alongside NICOLOSI and an array of influences, as Wilder explains, “I started writing with Sam when I was 14 and working on my first EP. I honestly didn’t let him go after. Lana Del Rey is my ultimate reference for everything. Bon Iver, Matt Maeson, Edward Sharpe and The Magnetic Zeroes, The Lumineers, Florence & The Machine, and so many more came into play. This EP is a testament to the last three years of my life. It’s my coming-of-age scrapbook through the lens of being 17 and confused. In the course of processing that evolution, I started to accept it and I had to write about it.”

 

 

 

Emerging as a teenager armed with earthy melodies, wistful narratives and gossamer vocals, Cloe Wilder’s innate ability to evoke warm and familiar melodies with her witticism and heartfelt lyricism aligns her comfortably as a Floridian young Taylor Swift, with sonic poise well
beyond her young years. Dabbling in the bedroom pop realms of Lana Del Rey and Phoebe Bridges as well as folk and modern sentimentality, Wilder is as much a confidante as she is a conduit for evocative and memorable music.

 

With her previous single Call Me If You Need Me currently in command of over 1 million individual streams, Wilder also has an array of live performances in her wake, including Breaking Sound in Los Angeles, and supports with EMELINE, Spencer Sutherland, Steinza and is currently on the road with Charlotte Sands. And in 2024, her journey continues with the impending release of her sophomore EP, I Spent My Summer on the Road.

 

“I put out my first EP out when I was 14, so I’m beyond excited for this new introduction,” Wilder concludes. “These songs are really important to me, and I’ve loved being able to grow with them.”

 

 

Afterglow is out today.
I Spent My Summer on the Road is due out on Friday April 19.

 


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ESKIMO JOE SHARE DRIVING NEW SINGLE THE ‘FIRST TIME’

ESKIMO JOE SHARE DRIVING NEW SINGLE THE ‘FIRST TIME’

ESKIMO JOE

SHARE DRIVING NEW SINGLE THE

‘FIRST TIME’


A buoyant yet bittersweet ode to nostalgia, Australian alternative rock icons Eskimo Joe return armed with The First Time; the band’s first new music since 2021’s 99 Ways. Set to appear at Lookout Festival alongside Live and Incubus before embarking on their National Acoustic Theatre Tour starting this April, The First Time feels familiar yet fresh, with Eskimo Joe capturing the essence of their stadium rock-ready triumph, 2008’s Black Fingernails, Red Wine, alongside some sharp 2024 vigor.

 

Drawing inspiration from long-time Eskimo Joe creative influences as well as the band’s unshakeable bond, the core of The First Time also evolved following a stacked 2023, with multiple festival appearances sparking the trio to harness the energy of a giant crowd setting into their 2024-penned new track. “We really look up to bands like the Rolling Stones and U2 – those guys who keep touring and creating music over and over again,” shares bass player and vocalist Kav Temperley. “It makes us proud of our musical journey and the people who have taken our songs into their lives. Eskimo Joe is still the three core members. It just wouldn’t be the Eskies without the three of us in a studio or on-stage making music together – our friendship is as much a part of the band as the music itself.

 

After an amazing 2023 of playing some huge festivals, there’s this indescribable energy when a massive crowd is singing your songs back at you. We wanted to capture that energy and infuse it into our recording. So, in the first week of January this year, over five days we wrote and recorded The First Time at my studio in Fremantle.

 

Opening with Temperley musing “I found myself looking for you, I wonder if you’re looking for me” over glimmering instrumentation and a driving beat, The First Time simultaneously tugs at your heartstrings while charming with creamy melodics and soaring choruses. An undeniable instant Eskimo Joe classic, The First Time ultimately delves into upbeat sentimentality, as Temperley elaborates, “We wanted to write something that set out to encapsulate the bittersweet feeling of nostalgia, that looks back through rose coloured glasses conveniently forgetting the heartache and sleepless nights that came with a certain place and time in our lives. It’s easy in the loneliest moments to look back and take comfort in those memories secretly holding onto that feeling like an addict. The song is also a realisation that holding onto the past might also be holding you back from the present. The subject is nostalgic but so is the sound of this song, it sounds like it could have sat perfectly on the Black Fingernails album.”

 

Lead guitarist Stu MacLeod says, “You put so much energy into each song, you build it up, tear it down, build it back up again until it matches the band’s vision. I love the energy in this song and the sentiment, and I’m stoked that we get to release it out into the world.” Drummer and guitarist Joel Quartermain adds, “Once it’s out in the world, a song truly exists. Hopefully people connect with it.”

 

The accompanying music video beautifully documents Eskimo Joe’s many years as a band, with nostalgic footage of their many achievements over the years.

 

 

Forming in 1997, Eskimo Joe would go on to become one of Australia’s most enduring acts, with six studio albums and ongoing commercial success in their wake, including 2004’s A Song Is A City and 2006’s Black Fingernails, Red Wine reaching Platinum status, and the latter dominating the ARIA Top 50 Chart for 62 weeks. The Eskimo Joe journey from Fremantle indie rock darlings to an international success story has also seen the band’s impact expand well beyond the studio, with ongoing chart success, 35 ARIA nominations and eight wins, two APRA Awards, countless appearances at major festivals and events across the globe, and frequent appearances in triple j’s Hottest 100 countdown, including their single Black Fingernails, Red Wine taking out the #2 spot in the Hottest 100 of 2006. With performances spanning Sound Relief, Live Earth, at the Sundance Film Festival or, closer to home, at Big Day Out, Splendour In The Grass and, most recently, Good Things Festival,

Eskimo Joe’s craftsmanship is only amplified by their swaggering live prowess; and it’s this very fact that inspired the band’s newest sonic output while also firmly showcasing Eskimo Joe’s ever-present vitality in the music scene decades into their career.

 

“It feels great releasing some new music with Eskimo Joe,” Temperley says. “We had such an amazing year last year, playing all different kinds of shows, and ending the year with Good Things Festival that saw us playing in front of crowds of 30,000. We left 2023 feeling so connected with our audiences that we felt that now is the right time to write a new tune.”

 

“Kicking off in April, we take to the road for the Lookout Festival, unveiling our new single with icons like Incubus and Live,” Temperley concludes. Straight off the back of the festival – April through August, we embark on a 22-show acoustic journey across Australia. This tour allows us to present our music in a more intimate setting, strengthening our connection with our audience. Each performance is crafted to deepen the musical experience, blending the high energy of festival shows with the personal touch of our acoustic sessions.”

 

 

 

The First Time is out now!


 

ESKIMO JOE – UPCOMING SHOWS

SAT 06 APR | LOOKOUT FESTIVAL, SANDSTONE POINT, QLD | 18+ Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SUN 07 APR | LOOKOUT FESTIVAL, SOUTHPORT, QLD | 18+ Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 13 APR | LOOKOUT FESTIVAL, MORNINGTON VIC | 18+ Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 20 APR | LOOKOUT FESTIVAL, WHITFORDS WA | 18+ Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 27 APR | CIVIC HALL, BALLARAT VIC Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5333 5888

SUN 28 APR | WYNDHAM CULTURAL CENTRE, WERRIBEE VIC Tickets available from www.eskimojoe.net/tours | Via Box Office (03) 8734 6000

SAT 25 MAY | CASULA POWERHOUSE, LIVERPOOL NSW Tickets available from www.eskimojoe.net/tours | Via Box Office 02 8711 7123

SUN 26 MAY | THE CONCOURSE LOUNGE, WILLOUGHBY NSW Tickets available from www.eskimojoe.net/tours | Via Box Office 02 8075 8111

FRI 31 MAY | LOGAN ENTERTAINMENT CENTRE, LOGAN QLD Tickets available from www.eskimojoe.net/tours

SAT 1 JUN | PROSERPINE ENTERTAINMENT CENTRE, PROSERPINE QLD Tickets available from www.eskimojoe.net/tours | Via Box Office(07) 4945 0405

FRI 21 JUN | RED EARTH ARTS PRECINCT, KARRATHA WA Tickets available from www.eskimojoe.net/tours (no contact on venue)

SAT 22 JUN | CARNARVON CIVIC CENTRE, CARNARVON WA Tickets available from www.eskimojoe.net/tours

FRI 28 JUN | ALBANY ENTERTAINMENT CENTRE, ALBANY WA Tickets available from www.eskimojoe.net/tours | Via Box Office (08) 6212 9292

SUN 30 JUN | ESPERANCE CIVIC CENTRE, ESPERANCE WA Tickets available from www.eskimojoe.net/tours FRI 5 JUL | THE WEDGE, SALE VIC Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5143 3200

SAT 6 JUL | KINGSTON CITY HALL, MOORABBIN VIC Tickets available from www.eskimojoe.net/tours | Via Box Office (03) 9556 4440.

SUN 7 JUL | QUEANBEYAN PAC, QUEANBEYAN NSW | ALL AGES Tickets available from www.eskimojoe.net/tours | Via Box Office (02) 6285 6290

TUE 9 JUL | HORSHAM TOWN HALL THEATRE, HORSHAM VIC Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5382 9555

FRI 12 JUL | SWAN HILL TOWN HALL PACC, SWAN HILL VIC Tickets available from www.eskimojoe.net/tours

SAT 13 JUL | THE ART HOUSE, WYONG NSW Tickets available from www.eskimojoe.net/tours | Via Box Office 02 4335 1485

FRI 26 JUL | MOUNT ISA CIVIC CENTRE, MOUNT ISA QLD Tickets available from www.eskimojoe.net/tours

SUN 28 JUL | ROCKHAMPTON RIVER FESTIVAL, ROCKHAMPTON QLD | ALL AGES Tickets available from www.eskimojoe.net/tours


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COYLE GIRELLI SHARES NEW SINGLE BETWEEN US LIFTED FROM NEW ALBUM MUSEUM DAY SET FOR OCTOBER 27 RELEASE

COYLE GIRELLI SHARES NEW SINGLE BETWEEN US LIFTED FROM NEW ALBUM MUSEUM DAY SET FOR OCTOBER 27 RELEASE

COYLE GIRELLI

SHARES NEW SINGLE

BETWEEN US

LIFTED FROM NEW ALBUM MUSEUM DAY

SET FOR OCTOBER 27 RELEASE


A fresh and upbeat love letter to a harlequin romance, the new single Between Us out now from multi-platinum English troubadour Coye Girelli takes a charming step closer to the impending release of his third solo album, Museum Day, due out on October 27.

 

Set against the lyrical backdrop of the Big Apple, Between Us unfurls with Girelli’s trademark lush vocals, stirring intimacy and swooning indie pop wiles, complete with nostalgic 80s elements forged in a fire of modernity. Produced by Lorenzo Wolff, whose previous work spans Taylor Swift and Kanye West, Between Us is Girelli at his buoyant and easy going best, glowing with cinematic charm while lyrically traversing charged passion in his own adopted home of New York, as Girelli reveals, “Between Us is a love story in New York City. A love lost and found again. Distance and return. A love that persists. Yet fighting against it. The fear and curiosity. What awaits? Heartbreak or True Love?”

 

 

 

 

 

Taken from Girelli’s forthcoming new album, Museum Day, Between Us sits amongst 10 dazzling tracks lying in wait, including the album’s previous singles, the smooth and sentimental Museum Day and the hooky fuzz of So Predictable. Ultimately an immersive and affable journey, laden with authenticity and soulful reflection, Museum Day seamlessly extends the foundations laid out by its predecessor, 2022’s Funland, with a noticeably modern injection driving at the core of Girelli’s new outing amongst his signature trademarks. “It’s a more modern sound than Love Kills for sure,” shares Girelli. “In some way it feels like the next step on from Funland. It’s more indie and in a lot of ways more contemporary feeling. Upbeat and in the shadows. Half New York City, half Manchester, England. Stories of moments, stories about people. Stories about lovers.”

 

Inspired by love itself as much as Girelli’s own ardor for the likes of The Smiths, with smatterings of The National, The Drums, Big Thief, Japanese Breakfast and War On Drugs, Museum Day bustles with rosy-cheeked pop (Jane Tells A Lie), swooning ballads (Swim, Real Love) and ambient heartbreakers (Nobody), like a modern-day Roy Orbison strolling through a Hollywood romance. Tirelessly helmed by Girelli’s effervescent yet stirring vocals, soaring into the heavens on the outro for Between Us and diving into woozy calm on I Tried to Love You, Museum Day ultimately draws to a close on a stripped-back note, with New York Rain beautifully capturing the essence of Coyle Girelli’s magic: reflection, romance and riveting storytelling that places you directly into the moment alongside Girelli himself. And while the overall album is an elegant and expertly crafted affair, the road to creating Museum Day was unexpectedly swift amongst other plans, as Girelli elaborates, “I wrote and recorded this album in a very short time, a matter of weeks really at the start of the year. I’d written what I thought was an album. Then I wrote Museum Day. I scrapped the album I had planned, and in the weeks following wrote and recorded a whole new one. Which is what I’m releasing. I purposely didn’t overthink or analyze it. I let it write itself. Tell its stories. My job was to not overcomplicate it or get in the way.”

 

Recently enamouring with his sophomore album, Funland, in 2022, Girelli’s musical magic as a solo artist first unveiled via his debut full length album, 2018’s Love Kills. A gifted songwriter, storyteller and creative cauldron, Girelli has also found himself hotly in demand over the years as both a songwriter and producer for multiple artists, including work with BTS, Macklemore, Robin Schulz, Westlife and more. A multi-instrumentalist who has also turned his hand and voice to musical theatre along the way, Girelli’s previous releases have been repeatedly hailed as masterpieces by the likes of Rolling Stone Australia and countless others; a fact that is witnessed once again on Museum Day and tantalizingly in the near future for Girelli’s upcoming projects.

 

Set to perform an immersive theatre musical show called True Love Forever in New York next year, Girelli’s star is set to boundlessly continue to rise, with the talented English-born, New York-based artist already working on a follow up to Museum Day to bless 2024’s timeline even further. And it’s ultimately the free-flowing approach that Girelli adapted while crafting Museum Day that is set to shape and solidify any and all of his future releases, as Girelli concludes, “It was very fulfilling creating in this space. In flow. I’m going to try do the same thing with my next album. Makes life easier as well when you’re not over-analyzing every little detail. Let the songs do their thing. I really let my instinct lead the way on this one. It feels fresh and true.”

 

 

Between Us is out now!

Museum Day is due out Friday October 27.

 


 

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RADICAL SON SHARES MAGNETIC NEW SINGLE ‘UNTIL YOU CALL MY NAME’

RADICAL SON SHARES MAGNETIC NEW SINGLE ‘UNTIL YOU CALL MY NAME’

RADICAL SON

SHARES MAGNETIC NEW SINGLE

UNTIL YOU CALL MY NAME’


A magnetic meeting point of shimmering soul and beauty, the new single Until You Call My Name out now from Radical Son is a striking ode to gratitude and the power of love. A goosebump-inducing moment in time from the revered Kamilaroi artist with Tongan heritage, Radical Son will bring his new track as well as his forthcoming album Biliyambil (The Learning) to vivid life at the Sydney Opera House supporting Emma Donovan on October 20, as well as 2024’s National Folk Festival.

 

Produced by Andrew Robinson, Until You Call My Name is a proud, calm, yet stirring outing from Radical Son, aka David Leha, inspired by its producer Robinson as well as Marcus Longfoot and Darkinjung local Phil Bligh. With humid percussion, bright piano and the emphatic, immersive vocals of Radical Son himself, Until You Call My Name flourishes in its beautifully-crafted simplicity, beating at its core with the magic sparked between Radical Son’s work with Robinson and Longfoot at Full Circle Audio in Redfern, alongside Wantok Music. And for Radical Son, Until You Call My Name holds a special place in his heart, as he explains, Proud of this piece. Of all the works that I have created, it’s one of my favourites.”

 

 

Another taste of Radical Son’s highly anticipated sophomore album Biliyambil (The Learning) which is set for release in early 2024, Until You Call My Name is a poignant yet powerful ode to finding happiness in moments of chaos, with Radical Son’s commanding vocals soaring above an ambient glow, declaring “I hear you call my name / Wanting to engage / We’re all finding our way / We’re coping with the struggle”. And in a world consistently divided and full of unrest, Until You Call My Name offers a calming balm as well as a timely reminder to look for what matters most in the darkness, as Radical Son shares, For those divided and lost, pulled or drawn in many directions both externally and internally. I’m mindful that we are all finding our way and that as hard as it may sometimes be just getting by in life, it is my hope that we find a way to live life, to love.”

 

One of the mightiest and most compelling artists in the Australian cultural scene, Radical Son channels his experiences from his challenging past into immense power and resolve, with his trademark sound burgeoning with the urgency of hip hop and emotionally-charged soul, as witnessed by these new songs, and his first full length album 2014’s Cause N’Affect. A festival favourite, cemented recently by his show-stopping cover of his mentor Uncle Archie Roach’s Walking Into Doors, Radical Son has performed to standing ovations at Bluesfest, St Kilda Festival, VIVID, the AFL Dreamtime 2032 game, and the official Uncle Archie Roach memorial in Melbourne in 2022.

 

 

 

 

A highly-skilled concert artist, with performance with classical ensembles and high-profile collaborations under his belt with David Bridie, Emma Donovan, Frank Yamma, Lady Lash, Mau Power and Deline Briscoe, Radical Son’s artistry also expands to film and TV, with credits including Defining Moments, a six-part NITV documentary exploring life-defining experiences, and theatre work, including the lead role of Pemulwuy in I am Eora at the 2012 Sydney Festival.

 

Studying as a musician at The Eora Centre for Visual and Performing Arts in Redfern, as well completing a Bachelor of Music from Newcastle Conservatorium, Radical Son’s creative prowess is only matched by his otherworldly stage presence that equally transfixes and transcends with authenticity and sheer, compelling power. Cultivating his transformational life into his place as a bright fixture on Australia’s cultural landscape, Radical Son’s moving soul vocals and unique flair only strengthen with time, potently witnessed today via Until You Call My Name. And with an appearance on the horizon over the Easter weekend in 2024 at the National Folk Festival, a hub for the Australian folk community, as ever, magic is guaranteed when Radical Son takes the stage.

 


 

FRI 20 OCT | SYDNEY OPERA HOUSE WITH EMMA DONOVAN, SYDNEY, NSW

Tickets available from https://www.sydneyoperahouse.com/birthday-festival/emma-donovan

 

THURS 28 MARCH – MON 1 APRIL | NATIONAL FOLK FESTIVAL, CANBERRA ACT

Tickets available from https://www.folkfestival.org.au/

 

 

 

 

Until You Call My Name is out now via Wantok Musik and distributed by MGM.

 


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